Lesley Garrett, Ivor Bolton, Philharmonia Orchestra's 'I want to be a Prima Donna (Art is calling me)' came out on October 12, 1992. The duration of I want to be a Prima Donna (Art is calling me) is about 3 minutes long, at 3:24. Based on our data, "I want to be a Prima Donna (Art is calling me)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 15 in the song's album "Prima Donna". In this album, this song's track order is #15. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, I want to be a Prima Donna (Art is calling me)'s popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With I want to be a Prima Donna (Art is calling me) by Lesley Garrett, Ivor Bolton, Philharmonia Orchestra having a BPM of 126 with a half-time of 63 BPM and a double-time of 252 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Schönberg, Claude-Michel: I Dreamed a Dream (from "Les Misérables") | Lesley Garrett, Philip Ellis | A♭ Major | 2 | 4B | 89 BPM | ||
O Mio Bambino Caro (From A Room With A View) | Cedar Lane Studio Orchestra | A♭ Major | 4 | 4B | 172 BPM | ||
Lohengrin: Act III Scene 1: Treulich gefuhrt, ziehet dahin (Wedding March) (Chorus) | Richard Wagner, Kwangchul Youn, Johan Botha, Adrianne Pieczonka, Falk Struckmann, Petra Lang, Eike Wilm-Schulte, Prague Chamber Chorus, North German Radio Chorus, Cologne West German Radio Chorus, Cologne West German Radio Orchestra, Semyon Bychkov | B♭ Major | 0 | 6B | 99 BPM | ||
Lakmé: Sous le Dôme Épais (The Flower Duet) | Lesley Garrett | B Major | 3 | 1B | 111 BPM | ||
Massenet: Thaïs, Act 2: "Celle qui vient est plus belle" (La charmeuse, Crobyle, Myrtale) | Jules Massenet, Sabine Devieilhe, Jodie Devos, Marianne Crebassa, Les Siècles, François-Xavier Roth | C Minor | 1 | 5A | 98 BPM | ||
The Pleasure Of Your Company | James Staddon, Lesley Garrett, Bernard J Taylor | E♭ Major | 3 | 5B | 102 BPM | ||
Orontea: Intorno all'idol mio | Antonio Cesti, Cecilia Bartoli, György Fischer | E Minor | 0 | 9A | 104 BPM | ||
Samson et Dalila (1997 Digital Remaster): Mon coeur s'ouvre à ta voix. | Georges Prêtre, The Orchestra National De La Radiodiffusion Francaise, Maria Callas | D♭ Major | 1 | 3B | 81 BPM | ||
Les Contes d'Hoffmann / Act 4: "Belle nuit, ô nuit d'amour" | Jacques Offenbach, Edita Gruberova, Claudia Eder, Orchestre National De France, Seiji Ozawa, Choeurs de Radio France | D Major | 1 | 10B | 101 BPM | ||
Weep You No More Sad Fountains - Voice | Patrick Doyle, Jane Eaglen, Robert Ziegler | E♭ Major | 2 | 5B | 95 BPM |
Section: 0.7884805202484131
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