Emmerich Kálmán, Maria Tiboldi, Marika Nemeth, Anna Zentai, Andrea Zsadon's 'Die Csardasfurstin (The Gypsy Princess), Act III: Das ist die Liebe' came out on August 1, 2015. The duration of Die Csardasfurstin (The Gypsy Princess), Act III: Das ist die Liebe is about two minutes long, specifically at 2:04. This song does not appear to have any foul language. Die Csardasfurstin (The Gypsy Princess), Act III: Das ist die Liebe's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 21 in the song's album "Operettenparade". In this album, this song's track order is #11. Furthermore, we believe that the track originated from Hungary. Die Csardasfurstin (The Gypsy Princess), Act III: Das ist die Liebe is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Die Csardasfurstin (The Gypsy Princess), Act III: Das ist die Liebe by Emmerich Kálmán, Maria Tiboldi, Marika Nemeth, Anna Zentai, Andrea Zsadon having a BPM of 86 with a half-time of 43 BPM and a double-time of 172 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
F Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Pique Dame (Pikovaya Dama), Op.68, TH.10 / Act 1: "Gori, gori yasno" | Pyotr Ilyich Tchaikovsky, Mariinsky Chorus, Mariinsky Orchestra, Valery Gergiev | B Major | 2 | 1B | 85 BPM | ||
The Merry Widow (Die lustige Witwe) / Act 3: Duett: "Lippen schweigen" | Franz Lehár, Ingeborg Hallstein, Peter Alexander, Grosses Operetten Orchester, Franz Marszalek | G Major | 2 | 9B | 87 BPM | ||
Alte Kameraden | Carl Teike, Berlin Philharmonic Wind Ensemble, Herbert von Karajan | D♭ Major | 4 | 3B | 120 BPM | ||
Los gavilanes, Acto II: Amigos, siempre amigos | Ataúlfo Argenta, Coros Cantores De Madrid, José Perera, Orquesta de Cámara de Madrid, Teresa Berganza, Toñy Rosado, Jacinto Guerrero | B♭ Major | 3 | 6B | 135 BPM | ||
Emma, ou la promesse imprudente, S. 6 (Excerpts): Entr'acte to Act II | Daniel Auber, Czech Philharmonic Chamber Orchestra, Dario Salvi | D Major | 1 | 10B | 160 BPM | ||
Wiener Bürger, Op.419: Walzer | Carl Michael Ziehrer, Wiener Philharmoniker, John Eliot Gardiner | C Major | 1 | 8B | 98 BPM | ||
Der Vogelhändler: Ich bin die Christel von der Post | Carl Zeller, Renate Holm, Frank Fox | E Major | 2 | 12B | 78 BPM | ||
Weber: Der Freischütz, Op. 77, J. 277, Act 3 Scene 6: No. 15, Chor, "Was gleicht wohl auf Erden dem Jägervergnügen" (Die Jäger) | Carl Maria von Weber, Elisabeth Grümmer, Berliner Philharmoniker, Joseph Keilberth | B♭ Major | 0 | 6B | 72 BPM | ||
Aida: Gloria all' Egitto ad Iside | Chor der Deutschen Oper Berlin, Orchester der Deutschen Oper Berlin, Rafael Frühbeck de Burgos | E♭ Major | 3 | 5B | 112 BPM | ||
Cavalleria rusticana: Ave Maria | Pietro Mascagni, Elina Garanca, Deutsche Radio Philharmonie Saarbrücken, Karel Mark Chichon | E Major | 1 | 12B | 109 BPM |
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