"Sea Swelland Memories, Op. 24, No. 3: Duma za dumoi, volna za volnoi" by Joanna Porackova, Dag Achatz was released on April 9, 2001. The duration of Sea Swelland Memories, Op. 24, No. 3: Duma za dumoi, volna za volnoi is about two minutes long, specifically at 2:07. This song does not appear to have any foul language. Sea Swelland Memories, Op. 24, No. 3: Duma za dumoi, volna za volnoi's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Joanna Porackova, Dag Achatz's "How Fair This Place - Songs of Medtner, Prokofiev, Rachmaninoff, & Scriabin" album is number 16 out of 20. Sea Swelland Memories, Op. 24, No. 3: Duma za dumoi, volna za volnoi is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Sea Swelland Memories, Op. 24, No. 3: Duma za dumoi, volna za volnoi by Joanna Porackova, Dag Achatz to be Andante (at a walking pace) because the track has a tempo of 81 BPM, a half-time of 40BPM, and a double-time of 162 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 5/4.
This song is in the music key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
West Side Story: 15. I Have A Love | Leonard Bernstein, Kiri Te Kanawa, Tatiana Troyanos | D Major | 1 | 10B | 92 BPM | ||
Sure on This Shining Night: Sure on This Shining Night | Felicity Lott, Graham Johnson | B♭ Major | 0 | 6B | 109 BPM | ||
Chants Populaires: Chanson Espagnole | David Abramovitz, Claire Brua, Maurice Ravel | G Major | 0 | 9B | 99 BPM | ||
Simon Boccanegra / Act 1: Come in quest'ora bruna | Giuseppe Verdi, Renée Fleming, London Voices, London Philharmonic Orchestra, Sir Charles Mackerras | E♭ Major | 1 | 5B | 70 BPM | ||
Adams: Nixon in China: Act I, Scene 3 - Cheers | John Adams, Edo de Waart, Orchestra of St. Luke's | F Major | 3 | 7B | 102 BPM | ||
Adriana Lecouvreur / Act 1: Io son l'umile ancella | Francesco Cilea, Renée Fleming, London Philharmonic Orchestra, Sir Charles Mackerras | A♭ Major | 1 | 4B | 89 BPM | ||
Humperdinck : Hänsel und Gretel : Act 3 "Wo bin ich? Wach' ich?" [Gretel, Hänsel] | Engelbert Humperdinck, Donald Runnicles, Bavarian Radio Symphony Orchestra | E♭ Major | 0 | 5B | 91 BPM | ||
Gypsy Songs, Op. 55: No. 4, Když Mne Stará Matka Zpívat | Charlotte Hoather | D Major | 1 | 10B | 67 BPM | ||
Massenet: Manon, Act 2 Scene 5: "En fermant les yeux, je vois là-bas une humble retraite" (Des Grieux, Manon) | Jules Massenet, Roberto Alagna, Antonio Pappano, Orchestra of the Théâtre Royal de La Monnaie, Brussels | E Minor | 0 | 9A | 78 BPM | ||
Agnus Dei | Giuseppe Verdi, Lisa Beckley, Elena Filipova, Magdaléna Hajóssyová, Peter Mikulas, Michel Piquemal, Gloria Scalchi, Michel Piquemal Vocal Ensemble, Hungarian State Opera Chorus, Oxford Schola Cantorum, Slovak Philharmonic Chorus, Hungarian State Opera Orchestra, Orchestre De La Cite, Oxford Camerata, Slovak Philharmonic | C Major | 0 | 8B | 87 BPM |
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