Johann Sebastian Bach, Glenn Gould made "Three Little Fugues from Klavierbüchlein für Wilhelm Bach: Fughetta in C Minor, BWV 961" available on 1957. The duration of Three Little Fugues from Klavierbüchlein für Wilhelm Bach: Fughetta in C Minor, BWV 961 is about two minutes long, specifically at 2:25. This song does not appear to have any foul language. Three Little Fugues from Klavierbüchlein für Wilhelm Bach: Fughetta in C Minor, BWV 961's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Johann Sebastian Bach, Glenn Gould's "Glenn Gould plays Bach: 6 Partitas BWV 825-830; Chromatic Fantasy BWV 903; Italian Concerto BWV 971; The Art of the Fugue BWV 1080 (excerpts); Preludes, Fugues & Fantasies" album is number 11 out of 90. On top of that, United States appears to be the country where this track was created. Based on our statistics, Three Little Fugues from Klavierbüchlein für Wilhelm Bach: Fughetta in C Minor, BWV 961's popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Three Little Fugues from Klavierbüchlein für Wilhelm Bach: Fughetta in C Minor, BWV 961 by Johann Sebastian Bach, Glenn Gould to be Allegro (fast, quick, and bright) because the track has a tempo of 137 BPM, a half-time of 68BPM, and a double-time of 274 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
4 Sketches, Op. 4, JB 1:66: No. 2 in B Major, Idyll. Moderato ma non troppo | Bedřich Smetana, Jitka Čechová | B Major | 1 | 1B | 94 BPM | ||
Suite No. 3 in D Minor, HWV 428: III. Allemande | George Frideric Handel, Murray Perahia | D Minor | 0 | 7A | 121 BPM | ||
Suite No. 5 in E Major, HWV 430: II. Allemande | George Frideric Handel, Murray Perahia | E Major | 1 | 12B | 149 BPM | ||
Fantasy in C minor, BWV 919 | Johann Sebastian Bach, Glenn Gould | C Minor | 3 | 5A | 96 BPM | ||
La Commére: 6ème ordre, 2ème livre | François Couperin, Iddo Bar-Shaï | B♭ Major | 3 | 6B | 128 BPM | ||
Andantino in C Major, Wq. 116/23, H. 249 | Carl Philipp Emanuel Bach, Ana-Marija Markovina | C Major | 0 | 8B | 88 BPM | ||
Andante in F Major, Wq. 116/24, H. 250 | Carl Philipp Emanuel Bach, Ana-Marija Markovina | F Major | 0 | 7B | 118 BPM | ||
Concerto for 2 Violins in D Minor, BWV 1043: I. Vivace | Johann Sebastian Bach, Pieter Schoeman, Vesselin Gellev, David Parry, London Philharmonic Orchestra | D Minor | 3 | 7A | 100 BPM | ||
Pièces de Clavecin, Livre II, 6e ordre, Livre IV, 22e ordre: VII. Les Tours de passe-passe | François Couperin, Alexandre Tharaud | D Major | 2 | 10B | 131 BPM | ||
Symphony in A Major, J-C 62: II. Andante e pianissimo | Giovanni Battista Sammartini, Aradia Ensemble, Kevin Mallon | A♭ Minor | 0 | 1A | 104 BPM |
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