On 1957, the song "Fantasy in C minor, BWV 919" was released by Johann Sebastian Bach, Glenn Gould. The duration of Fantasy in C minor, BWV 919 is about two minutes long, specifically at 2:12. This song does not appear to have any foul language. Fantasy in C minor, BWV 919's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Johann Sebastian Bach, Glenn Gould's "Glenn Gould plays Bach: 6 Partitas BWV 825-830; Chromatic Fantasy BWV 903; Italian Concerto BWV 971; The Art of the Fugue BWV 1080 (excerpts); Preludes, Fugues & Fantasies" album is number 4 out of 90. On top of that, United States appears to be the country where this track was created. In terms of popularity, Fantasy in C minor, BWV 919 is currently not that popular. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Fantasy in C minor, BWV 919 by Johann Sebastian Bach, Glenn Gould to be Andante (at a walking pace) because the track has a tempo of 96 BPM, a half-time of 48BPM, and a double-time of 192 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Work on 1st Street | EASG | G Major | 1 | 9B | 87 BPM | ||
6 Violin Sonatas, Op. 10b No. 3 in D Minor, J. 101: I. Air Russe: Allegretto moderato | Carl Maria von Weber, Nino Gvetadze, Frederieke Saeijs | D Minor | 1 | 7A | 112 BPM | ||
Violin Concerto No. 4 in D Minor, Op. 31: II. Adagio religioso | Henri Vieuxtemps, Hilary Hahn, Deutsche Kammerphilharmonie Bremen, Paavo Järvi | E♭ Major | 1 | 5B | 66 BPM | ||
Piano Sonata No. 1 in C Major, K. 279: I. Allegro | Wolfgang Amadeus Mozart, Glenn Gould | C Major | 1 | 8B | 95 BPM | ||
Prelude In C Major, BWV 924 : Praeambulum In C Major, BWV 924 | Janos Sebestyen, Johann Sebastian Bach | C Major | 2 | 8B | 139 BPM | ||
Concerto Grosso in G Minor, Op. 1, No. 12: I. Largo | Pietro Locatelli, Capella Istropolitana, Jaroslav Krcek | F Major | 3 | 7B | 128 BPM | ||
Pièces de Clavecin I, Suite in A Minor, RCT 1: IX. Menuet | Jean-Philippe Rameau, Denys Proshayev | D Major | 1 | 10B | 126 BPM | ||
Prelude No. 3 in C# Major from The Well-Tempered Clavier Book I, BWV 848 | Brad Mehldau | D♭ Major | 3 | 3B | 129 BPM | ||
Concerto a 5 in B flat, Op.7, no.10 for Strings and Continuo: 3. Allegro | Tomaso Albinoni, I Musici | B♭ Major | 2 | 6B | 107 BPM | ||
Suite No. 1 in A Major, HWV 426: I. Prelude | George Frideric Handel, Glenn Gould | A Major | 1 | 11B | 178 BPM |
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