"O du mein holder Abendstern (Tannhäuser)" by Sigurd Bjorling, Orchester des Nordwestdeutschen Rundfunks was released on July 30, 2006. With this song being about 5 minutes long, at 4:51, "O du mein holder Abendstern (Tannhäuser)" by Sigurd Bjorling, Orchester des Nordwestdeutschen Rundfunks is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 2 out of 7 in Dokumente einer Sängerkarriere - Sigurd Björling by Sigurd Bjorling. Based on our statistics, O du mein holder Abendstern (Tannhäuser)'s popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of O du mein holder Abendstern (Tannhäuser) by Sigurd Bjorling, Orchester des Nordwestdeutschen Rundfunks is Allegro (fast, quick, and bright), since this song has a tempo of 128 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.
This song has a musical key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Children's Corner (arr. A. Caplet for orchestra): Golliwogg's Cake-walk | Andre Caplet, Claude Debussy, Rheinland-Pfalz State Philharmonic Orchestra, Leif Segerstam | B♭ Major | 0 | 6B | 103 BPM | ||
Puccini: Tosca, Act 2: "E qual via scegliete?" (Scarpia, Tosca) | Giacomo Puccini, Maria Callas, Tito Gobbi, Victor de Sabata, Orchestra Del Teatro Alla Scala, Milano | D Major | 2 | 10B | 88 BPM | ||
Das Rheingold, WWV 86a, Scene 2: Scene 2: Wie schlau fur Ernst du achtest (Wotan) | Richard Wagner, Sigurd Bjorling, Bayreuth Festival Orchestra, Herbert von Karajan | D Major | 2 | 10B | 79 BPM | ||
La Damnation de Faust, Op. 24 - Part 2: 7c. Ballet des Sylphes | Hector Berlioz, Royal Concertgebouw Orchestra, Antal Doráti | D Major | 0 | 10B | 121 BPM | ||
Symphony No. 3 in D Minor, WAB 103 (1873 Version): III. Scherzo. Ziemlich schnell – Trio. Gleiches Zeitmaß – Scherzo da capo | Anton Bruckner, Berliner Philharmoniker, Herbert Blomstedt | F Major | 2 | 7B | 136 BPM | ||
Don Carlo: Il Grande Inquisitor! | Sigurd Bjorling, Sixten Ehrling, Joel Berglund, Königliche Hofkapelle Stockholm | F Major | 2 | 7B | 81 BPM | ||
I vespri siciliani: Overture | Giuseppe Verdi, Berliner Philharmoniker, Claudio Abbado | E Major | 2 | 12B | 77 BPM | ||
Die Meistersinger von Nürnberg: Act III: Wahn! Wahn! | Richard Wagner, Sigurd Bjorling, Stockholm Royal Opera Orchestra, Sixten Ehrling | G Major | 0 | 9B | 71 BPM | ||
Sadko: Song of the Indian Guest | Nikolai Rimsky-Korsakov, Vadim Lynkovsky, Maksim Paster, Anton Grigoriev, Bolshoi Theatre Chorus, Bolshoi Theatre Orchestra, Alexander Vedernikov | C Major | 0 | 8B | 107 BPM | ||
A Symphonic Mass for Chorus & Orchestra: I. Kyrie | George Lloyd, Bournemouth Symphony Orchestra, Brighton Festival Chorus, Lazlo Heltay | E♭ Minor | 2 | 2A | 123 BPM |
Section: 0.8018851280212402
End: 0.806168794631958