"Contrasts for Violin, Clarinet & Piano: Third movement: Sebes (Fast Dance)" by Martha Argerich was released on March 3, 2003. Since Contrasts for Violin, Clarinet & Piano: Third movement: Sebes (Fast Dance) is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 10 in the song's album "Prokofiev: Quintet/Liszt: Concerto Pathetique/Bartok: Contra". In this album, this song's track order is #10. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, Contrasts for Violin, Clarinet & Piano: Third movement: Sebes (Fast Dance)'s popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Contrasts for Violin, Clarinet & Piano: Third movement: Sebes (Fast Dance) by Martha Argerich having a BPM of 133 with a half-time of 66 BPM and a double-time of 266 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Orfeo ed Euridice (Orphée et Eurydice) - Arranged by Wilhelm Kempff: Ronde des esprits bienheureux | Christoph Willibald Gluck, Wilhelm Kempff | F Major | 0 | 7B | 73 BPM | ||
Etude in D-Sharp Minor, Op. 8, No. 12: Patetico - Remastered | Alexander Scriabin, Vladimir Horowitz | D♭ Minor | 3 | 12A | 72 BPM | ||
Piano Concerto No. 1 in E Minor, Op. 11: III. Rondo. Vivace | Frédéric Chopin, Martha Argerich, London Symphony Orchestra, Claudio Abbado | E Major | 2 | 12B | 123 BPM | ||
Rigaudons I, II & Double | Jean-Philippe Rameau, Víkingur Ólafsson | E Major | 3 | 12B | 106 BPM | ||
Piano Sonata No. 7 In B Flat, Op. 83: 3. Precipitato | Sergei Prokofiev, Martha Argerich | A♭ Major | 4 | 4B | 105 BPM | ||
Dvořák: From the Bohemian Forest, Op. 68, B. 182: No. 5, Silent Woods | Antonín Dvořák, Jacqueline du Pré, Daniel Barenboim, Chicago Symphony Orchestra | D♭ Major | 1 | 3B | 95 BPM | ||
Rachmaninoff: Suite No. 1, Op. 5 "Fantaisie-tableaux": I. Barcarolle | Sergei Rachmaninoff, Martha Argerich, Alexandre Rabinovitch | G Minor | 1 | 6A | 130 BPM | ||
Sonata In D Major, Kk.119: Allegro | Domenico Scarlatti, Ivo Pogorelich | D Major | 1 | 10B | 126 BPM | ||
Piano Concerto No. 1 in B-Flat Minor, Op. 23, TH 55: 2. Andantino semplice - Prestissimo - Tempo I - Live | Pyotr Ilyich Tchaikovsky, Martha Argerich, Bavarian Radio Symphony Orchestra, Kirill Kondrashin | D Major | 1 | 10B | 71 BPM | ||
Symphony No. 2 in E Minor, Op. 27: III. Adagio (Transcr. Trifonov for 2 Pianos) | Sergei Rachmaninoff, Daniil Trifonov, Sergei Babayan | D Minor | 2 | 7A | 82 BPM |
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