"Rachmaninoff: Suite No. 1, Op. 5 "Fantaisie-tableaux": I. Barcarolle" by Sergei Rachmaninoff, Martha Argerich, Alexandre Rabinovitch was released on March 12, 1992. Since Rachmaninoff: Suite No. 1, Op. 5 "Fantaisie-tableaux": I. Barcarolle is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 11 in the song's album "Rachmaninoff: Suites, Op. 5 & 17 & Symphonic Dances, Op. 45". In this album, this song's track order is #1. Based on our statistics, Rachmaninoff: Suite No. 1, Op. 5 "Fantaisie-tableaux": I. Barcarolle's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Rachmaninoff: Suite No. 1, Op. 5 "Fantaisie-tableaux": I. Barcarolle by Sergei Rachmaninoff, Martha Argerich, Alexandre Rabinovitch having a BPM of 130 with a half-time of 65 BPM and a double-time of 260 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of G Minor. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Scriabin: 24 Preludes, Op. 11: No. 1 in C Major | Alexander Scriabin, Mikhail Pletnev | C Major | 1 | 8B | 63 BPM | ||
Goyescas - Suite: 4. Quejas ó la maja y el ruiseñor | Enrique Granados, Alicia de Larrocha | F♯ Minor | 0 | 11A | 65 BPM | ||
Sonatina No. 1, Op. 67: II. Largo | Jean Sibelius, Leif Ove Andsnes | F♯ Minor | 0 | 11A | 112 BPM | ||
Carmen Fantasy, Op. 25: Introduction. Allegro moderato | Pablo de Sarasate, Hilary Hahn, Frankfurt Radio Symphony Orchestra, Andrés Orozco-Estrada | C Major | 3 | 8B | 135 BPM | ||
Rachmaninov: 6 Moments Musicaux, Op. 16: No. 3 in B Minor | Sergei Rachmaninoff, Nikolai Lugansky | B Minor | 0 | 10A | 74 BPM | ||
4 Sketches, Op. 5, JB 1:67: No. 2, Melancholy. Allegretto | Bedřich Smetana, Jitka Čechová | A♭ Minor | 0 | 1A | 173 BPM | ||
Gretchen am Spinnrade, D. 118 (Arr. for Piano by Franz Liszt) | Franz Schubert, Yuja Wang | C Major | 3 | 8B | 78 BPM | ||
Suite from Violin Partita in E Major, BWV 1006 (Arr. Rachmaninov): II. Gavotte | Johann Sebastian Bach, Olga Kern, Sergei Rachmaninoff | D Minor | 1 | 7A | 135 BPM | ||
Impresiones intimas: I. 4 Quejas (4 Complaints): No. 1. Lento cantabile espressive | Federico Mompou, Olena Kushpler | A Minor | 0 | 8A | 74 BPM | ||
Intermezzo in A-Flat Major, Op. 76, No. 3 | Johannes Brahms, Arcadi Volodos | A♭ Major | 0 | 4B | 67 BPM |
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