Ruggero Leoncavallo, Juan Pons, Teresa Stratas, Plácido Domingo, Orchestra Del Teatro Alla Scala, Milano, Georges Prêtre's 'Pagliacci / Act 2: "Coraggio"' came out on January 1, 1984. The duration of Pagliacci / Act 2: "Coraggio" is about two minutes long, specifically at 2:04. This song does not appear to have any foul language. Pagliacci / Act 2: "Coraggio"'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Ruggero Leoncavallo, Teresa Stratas, Plácido Domingo, Juan Pons, Coro Del Teatro Alla Scala Di Milano, Orchestra Del Teatro Alla Scala, Milano, Georges Prêtre's "Leoncavallo: I Pagliacci" album is number 23 out of 25. Pagliacci / Act 2: "Coraggio" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Pagliacci / Act 2: "Coraggio" by Ruggero Leoncavallo, Juan Pons, Teresa Stratas, Plácido Domingo, Orchestra Del Teatro Alla Scala, Milano, Georges Prêtre to be Andante (at a walking pace) because the track has a tempo of 83 BPM, a half-time of 42BPM, and a double-time of 166 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Der Freischütz, J. 277 / Act I: Walzer | Carl Maria von Weber, Staatskapelle Dresden, Carlos Kleiber | A Major | 4 | 11B | 182 BPM | ||
Manon Lescaut / Act 1: Donna non vidi mai | Giacomo Puccini, Luciano Pavarotti, Metropolitan Opera Orchestra, James Levine | B♭ Major | 3 | 6B | 79 BPM | ||
Symphony No.8 in E flat - "Symphony of a Thousand" / Part One: Hymnus "Veni creator spiritus": "Veni creator spiritus" | Gustav Mahler, Vienna State Opera Chorus, Wiener Singverein, Chicago Symphony Orchestra, Sir Georg Solti | A♭ Major | 5 | 4B | 132 BPM | ||
I Pagliacci: Andiam! Andiam! Don, din, don, suona vespero | Ruggero Leoncavallo, Bavarian Radio Chorus, Munich Radio Orchestra, Ivan Repušić | C Major | 1 | 8B | 124 BPM | ||
Leoncavallo: Mattinata | Ruggero Leoncavallo, Enrico Caruso | E Major | 2 | 12B | 85 BPM | ||
Le nozze di Figaro, K. 492 / Act 3: "Sull’aria ... Che soave zeffiretto" | Wolfgang Amadeus Mozart, Edith Mathis, Gundula Janowitz, Orchester der Deutschen Oper Berlin, Karl Böhm | B♭ Major | 1 | 6B | 80 BPM | ||
Coppélia / Tableau 1: No. 1 Valse | Léo Delibes, Orchestre de la Suisse Romande, Richard Bonynge | C Minor | 1 | 5A | 75 BPM | ||
Requiem In D Minor, K. 626: Sequence: III. Rex Tremendae Majestatis | Slovak Philharmonic, Magdaléna Hajóssyová, Jozef Kundlák, Slovak Philharmonic Chorus, Peter Mikulas, Jaroslava Horska, Stefan Klimo, Vladimir Ruso, Wolfgang Amadeus Mozart | G Minor | 1 | 6A | 82 BPM | ||
Götterdämmerung / Dritter Aufzug: Siegfried's Funeral March | Richard Wagner, Wiener Philharmoniker, Sir Georg Solti | G Minor | 0 | 6A | 68 BPM | ||
Life and Works: Rusalka (Act I: Song to the Moon) | Sean Barrett | F♯ Major | 0 | 2B | 126 BPM |
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