Carl Orff, Sir Simon Rattle/Berliner Philharmoniker/Sally Matthews/Christian Gerhaher/Lawrence Brownlee/Knaben des Staats- und Domchors Berlin/Simon Halsey/Rundfunkchor Berlin, Rundfunkchor Berlin, Sir Simon Rattle, Berliner Philharmoniker's 'Orff: Carmina Burana, Pt. 3, Cour d'amours: Veni, veni, venias' came out on January 5, 2005. With Orff: Carmina Burana, Pt. 3, Cour d'amours: Veni, veni, venias being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There are a total of 25 in the song's album "Orff: Carmina Burana". In this album, this song's track order is #20. The popularity of Orff: Carmina Burana, Pt. 3, Cour d'amours: Veni, veni, venias is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Orff: Carmina Burana, Pt. 3, Cour d'amours: Veni, veni, venias by Carl Orff, Sir Simon Rattle/Berliner Philharmoniker/Sally Matthews/Christian Gerhaher/Lawrence Brownlee/Knaben des Staats- und Domchors Berlin/Simon Halsey/Rundfunkchor Berlin, Rundfunkchor Berlin, Sir Simon Rattle, Berliner Philharmoniker having a BPM of 160 with a half-time of 80 BPM and a double-time of 320 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with running. The time signature for this track is 4/4.
F Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Carmina Burana: Chramer, gip die varwe mir | Carl Orff, Cleveland Orchestra, Michael Tilson Thomas | G Major | 0 | 9B | 154 BPM | ||
Die Meistersinger Von Nurnberg (The Mastersingers Of Nuremberg): Wach Auf! | Slovak Radio Symphony Orchestra, Slovak Philharmonic Chorus, Richard Wagner | G Major | 2 | 9B | 112 BPM | ||
Songs on One Page, H. 294: No. 6, Sen Panny Marie | Bohuslav Martinů, Magdalena Kozená, Czech Philharmonic, Sir Simon Rattle | F Major | 0 | 7B | 90 BPM | ||
Maan virsi (Hymn to the Earth), Op. 95 | Jean Sibelius, Finnish National Opera Chorus, Finnish National Opera Orchestra, Eri Klas | C Major | 1 | 8B | 73 BPM | ||
Mass No. 6 in E-Flat Major, D. 950: Credo: Credo in unum Deum | Franz Schubert, Birte Kulawik, Dorothea Craxton, Cornelia Rosenthal, Raimund Minarschik, Rolf Ehlers, Klaus Schredl, Immortal Bach Ensemble, Leipzig Chamber Orchestra, Morten Schuldt-Jensen | E♭ Major | 0 | 5B | 0 BPM | ||
Symphony of Psalms: II. Expectans expectavi Dominum | Igor Stravinsky, Berliner Philharmoniker, Pierre Boulez, Rundfunkchor Berlin | B♭ Minor | 0 | 3A | 83 BPM | ||
Te Deum, WAB 45: 5. In te, Domine, speravi | Anton Bruckner, Maria Stader, Sieglinde Wagner, Ernst Haefliger, Peter Lagger, Wolfgang Meyer, Berliner Philharmoniker, Eugen Jochum, Chor der Deutschen Oper Berlin, Walter Hagen-Groll | C Major | 2 | 8B | 96 BPM | ||
Carmina Burana / 3. Cour d'amours: "Tempus est iocundum" | Carl Orff, June Anderson, Bernd Weikl, Chicago Symphony Orchestra, James Levine, Chicago Symphony Chorus, Glen Ellyn Children's Chorus | D Minor | 2 | 7A | 135 BPM | ||
Carmina Burana Suite, "Cantiones profanae" (arr. J. Krance): IX. In taberna quando sumus (When we are in the tavern) | John Krance, Carl Orff, Peabody Conservatory Wind Ensemble, Harlan D. Parker | A Major | 2 | 11B | 148 BPM | ||
Concerto for Orchestra, Sz. 116: 4. Intermezzo interrotto (Allegretto) | Béla Bartók, Berliner Philharmoniker, Herbert von Karajan | F Major | 0 | 7B | 96 BPM |
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