"Matthäus-Passion: Erster Teil, 18. Evangelista, Jesus Da kam Jesus mit ihnen zu einem Hofe" by Johann Sebastian Bach, Werner Güra, Johannes Weisser, Akademie für Alte Musik Berlin, René Jacobs was released on October 7, 2013. With Matthäus-Passion: Erster Teil, 18. Evangelista, Jesus Da kam Jesus mit ihnen zu einem Hofe being less than two minutes long, at 1:28, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Johann Sebastian Bach, René Jacobs, RIAS Kammerchor, Akademie für Alte Musik Berlin's "J.S. Bach: St Matthew Passion, BWV 244 (Matthäus-Passion)" album is number 18 out of 70. Matthäus-Passion: Erster Teil, 18. Evangelista, Jesus Da kam Jesus mit ihnen zu einem Hofe is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Matthäus-Passion: Erster Teil, 18. Evangelista, Jesus Da kam Jesus mit ihnen zu einem Hofe by Johann Sebastian Bach, Werner Güra, Johannes Weisser, Akademie für Alte Musik Berlin, René Jacobs to be Andante (at a walking pace) because the track has a tempo of 78 BPM, a half-time of 39BPM, and a double-time of 156 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony in C Major, H. 659, Wq. 182/3: II. Adagio | Carl Philipp Emanuel Bach, Akademie für Alte Musik Berlin, Georg Kallweit | D♭ Major | 1 | 3B | 140 BPM | ||
Water Music, Suite No. 3, HWV 350: Water Music, Suite No. 3, HWV 350: XVII. [Bourrée] | George Frideric Handel, Akademie für Alte Musik Berlin | D♭ Major | 4 | 3B | 139 BPM | ||
Concerto For 2 Keyboards in C Major, BWV 1061: III. Vivace | Cologne Chamber Orchestra, Christoph Anselm Noll, Gerald Hambitzer, Johann Sebastian Bach | A Minor | 3 | 8A | 98 BPM | ||
Serse: Sinfonia | George Frideric Handel, Akademie für Alte Musik Berlin, Andreas Scholl | A Major | 4 | 11B | 79 BPM | ||
Symphony No. 2 in B-Flat Major, Op. 52 "Hymn Of Praise": III. Recitative: "Saget es, die ihr erlöst seid durch den Herrn" | Felix Mendelssohn, Werner Güra, Deutsche Kammerphilharmonie Bremen, Frieder Bernius | B♭ Major | 0 | 6B | 68 BPM | ||
Nisi Dominus, HWV 238: II. Vanum est vobis | George Frideric Handel, Hugo Hymas, Akademie für Alte Musik Berlin, Justin Doyle | D♭ Major | 2 | 3B | 108 BPM | ||
III. Meine Seel Erhebt Den Herren BWV 10, 1. Coro: Meine Seel Erhebt Den Herren | Holland Boys Choir, Netherlands Bach Collegium, Sytse Buwalda, Johann Sebastian Bach, Knut Schoch, Peter Frankenberg, Ruth Holton, Bas Ramselaar, Ofer Frenkel, Pieter Jan Leusink | B Minor | 3 | 10A | 89 BPM | ||
Matthäus-Passion, BWV 244, Erster Teil: 16. Evangelista, Petrus, Jesus "Petrus aber antwortete" | Johann Sebastian Bach, Collegium Vocale Gent, Philippe Herreweghe, Ian Bostridge, Franz-Joseph Selig, Dominik Wörner | D♭ Major | 1 | 3B | 116 BPM | ||
Water Music, Suite No. 1, HWV 348: Water Music, Suite No. 1, HWV 348: X. [Allegro moderato] | George Frideric Handel, Akademie für Alte Musik Berlin | D♭ Minor | 1 | 12A | 77 BPM | ||
Ouverture burlesque in B-Flat Major, TWV 55:B8: Ouverture burlesque in B-Flat Major, TWV 55:B8: IV. Colombine. Con grazia | Georg Philipp Telemann, Akademie für Alte Musik Berlin, Bernhard Forck | A Major | 1 | 11B | 82 BPM |
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