Carl Philipp Emanuel Bach, Akademie für Alte Musik Berlin, Georg Kallweit's 'Symphony in C Major, H. 659, Wq. 182/3: II. Adagio' came out on March 22, 2024. The duration of Symphony in C Major, H. 659, Wq. 182/3: II. Adagio is about two minutes long, specifically at 2:19. This song does not appear to have any foul language. Symphony in C Major, H. 659, Wq. 182/3: II. Adagio's duration is considered a little bit shorter than the average duration of a typical track. The song is number 14 out of 21 in C.P.E. Bach: Symphonies - From Berlin to Hamburg by Carl Philipp Emanuel Bach, Akademie für Alte Musik Berlin. Going off of the ISRC code of this track, we detected that the origin of this track is from France. Based on our statistics, Symphony in C Major, H. 659, Wq. 182/3: II. Adagio's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Symphony in C Major, H. 659, Wq. 182/3: II. Adagio by Carl Philipp Emanuel Bach, Akademie für Alte Musik Berlin, Georg Kallweit is Allegro (fast, quick, and bright), since this song has a tempo of 140 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 4/4.
D♭ Major is the music key of this track. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto grosso in B-Flat Major, 1 No.3: IV. | Pietro Locatelli, Orchestre De Chambre De Toulouse, Gilles Colliard | E Major | 4 | 12B | 146 BPM | ||
Dixit Dominus: Dixit Dominus: Coro "Dixit Dominus" | George Frideric Handel, Akademie für Alte Musik Berlin, Malcolm Bennet, Vocalconsort Berlin, Hélène Guilmette, Marcus Creed, Andreas Scholl | F♯ Minor | 4 | 11A | 108 BPM | ||
Trumpet Sonata in D Major: VI. Allegro | Giuseppe Torelli, Niklas Eklund, Wasa Baroque Ensemble, Edward H. Tarr | B Major | 0 | 1B | 71 BPM | ||
Recorder Concerto No. 9 in A Minor: V. Allegro | Alessandro Scarlatti, Dorothee Oberlinger, Ensemble 1700 | A♭ Minor | 2 | 1A | 109 BPM | ||
Filen, mio caro bene, HanS 263: I. Sinfonia | Alessandro Scarlatti, Dorothee Oberlinger, Ensemble 1700 | E Minor | 1 | 9A | 109 BPM | ||
Symphony No. 21 in A Major, Hob. I:21: I. Adagio | Joseph Haydn, Johannes Klumpp, Heidelberg Symphony Orchestra | B♭ Major | 4 | 6B | 142 BPM | ||
Trio Sonata in C Minor, BuxWV 262: I. Poco adagio | Dietrich Buxtehude, Ensemble Mélero | A Major | 3 | 11B | 103 BPM | ||
Bagatelle No. 5 for String Quartet: Adagio Espressivo | Jordan Zhu | B♭ Major | 3 | 6B | 134 BPM | ||
Harpsichord Concerto in B-flat Major, Op. 13 No. 4: I. Allegro | Johann Christian Bach, Akademie für Alte Musik Berlin, Stephan Mai | D♭ Minor | 2 | 12A | 155 BPM | ||
3e Livre de Sonates à violon seul et basse continue, Sonata Sexta: II. Corrente | Jean-Baptiste Quentin, Anna Besson, Myriam Rignol, Jean Rondeau | A♭ Major | 1 | 4B | 105 BPM |
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