"Flute Concerto in G Major, Op. 29: III. Rondo. Allegro" by Carl Stamitz, Mikael Helasvuo, Helsinki Chamber Orchestra, Jukka-Pekka Saraste was released on January 1, 1986. Flute Concerto in G Major, Op. 29: III. Rondo. Allegro is about six minutes long, preciously at 5:36, making this song fairly long compared to other songs. There are a total of 6 in the song's album "Stamitz, C. / Benda, F.: Flute Concertos". In this album, this song's track order is #3. Furthermore, we believe that the track originated from Sweden. Flute Concerto in G Major, Op. 29: III. Rondo. Allegro is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Flute Concerto in G Major, Op. 29: III. Rondo. Allegro by Carl Stamitz, Mikael Helasvuo, Helsinki Chamber Orchestra, Jukka-Pekka Saraste having a BPM of 83 with a half-time of 42 BPM and a double-time of 166 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
G Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Haydn: Cello Concerto No. 1 in C Major, Hob. VIIb, 1: II. Adagio (Cadenza by Britten) | Franz Joseph Haydn, Mstislav Rostropovich, Academy of St. Martin in the Fields | F Major | 1 | 7B | 124 BPM | ||
Serenade in C Major, Op. 48: II. Walzer | Pyotr Ilyich Tchaikovsky, Vienna Chamber Orchestra, Philippe Entremont | G Major | 2 | 9B | 180 BPM | ||
21 Hungarian Dances, WoO 1 (version for orchestra): Hungarian Dance No. 1 in G Minor (orch. J. Brahms) | Johannes Brahms, London Philharmonic Orchestra, Marin Alsop | G Minor | 2 | 6A | 114 BPM | ||
Oboe Concerto in E-Flat Major | Vincenzo Bellini, Anthony Camden, City of London Sinfonia, Nicholas Ward | B♭ Major | 0 | 6B | 118 BPM | ||
Sonata concertata in A Major, Op. 61, MS 2: II. Adagio assai espressivo | Niccolò Paganini, Scott St. John, Simon Wynberg | A Minor | 0 | 8A | 176 BPM | ||
Concerto a cinque No. 2, Op. 9: II. Adagio | Tomaso Albinoni, Paul Dombrecht, Il Fondamento | A Major | 1 | 11B | 45 BPM | ||
Concerto in D Minor for Two Violins, BWV 1043: Concerto in D Minor for Two Violins, BWV 1043: I. Vivace | Johann Sebastian Bach, Andrew Manze, Academy of Ancient Music | D♭ Minor | 5 | 12A | 108 BPM | ||
String Quintet in E Major, Op. 11 No. 5, G. 275: II. Allegro con spirito | Luigi Boccherini, György Éder, Danubius Quartet | E Major | 1 | 12B | 133 BPM | ||
Sonata in D Minor, K. 9 | Domenico Scarlatti, Ivo Pogorelich | D Minor | 0 | 7A | 94 BPM | ||
Messiah, HWV 56, Part I: Pastoral Symphony, "Pifa" (arr. L. Stokowski) | George Frideric Handel, Leopold Stokowski, Bournemouth Symphony Orchestra, José Serebrier | C Major | 0 | 8B | 92 BPM |
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