Stabat Mater, FP 148: 2. Cujus animam gementem - Francis Poulenc, Kathleen Battle, Boston Symphony Orchestra, Seiji Ozawa, Tanglewood Festival Chorus, John Oliver Information

Acousticness: 98%
Danceability: 46%
Energy: 19%
Instrumentalness: 54%
Liveness: 16%
Loudness: 66%
Speechiness: 6%
Valence: 17%
Popularity: 6%
Loudness: -20.368 dB

Summary

"Stabat Mater, FP 148: 2. Cujus animam gementem" by Francis Poulenc, Kathleen Battle, Boston Symphony Orchestra, Seiji Ozawa, Tanglewood Festival Chorus, John Oliver was released on January 1, 1989. With Stabat Mater, FP 148: 2. Cujus animam gementem being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There are a total of 18 in the song's album "Poulenc: Gloria; Stabat Mater". In this album, this song's track order is #8. Based on our statistics, Stabat Mater, FP 148: 2. Cujus animam gementem's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.

Stabat Mater, FP 148: 2. Cujus animam gementem BPM

With Stabat Mater, FP 148: 2. Cujus animam gementem by Francis Poulenc, Kathleen Battle, Boston Symphony Orchestra, Seiji Ozawa, Tanglewood Festival Chorus, John Oliver having a BPM of 124 with a half-time of 62 BPM and a double-time of 248 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.

Stabat Mater, FP 148: 2. Cujus animam gementem Key

F Minor is the music key of this track. Which also means that the camelot key for this song is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
4 Lieder, Op. 43: I. Von ewiger Liebe - Dunkel, wie dunkel	Johannes Brahms, Anne Sofie von Otter, Bengt Forsberg	B Major	1	1B	130 BPM
Oedipus Rex: Epilogue	Igor Stravinsky, Joseph Cornwell, Edward Fox, Andrew Greenan, Martyn Hill, Jennifer Lane, David Wilson-Johnson, Simon Joly Male Chorus, Philharmonia Orchestra, Robert Craft	D♭ Major	6	3B	90 BPM
Te Deum, WAB 45: 3. Aeterna fac	Anton Bruckner, Maria Stader, Sieglinde Wagner, Ernst Haefliger, Peter Lagger, Wolfgang Meyer, Berliner Philharmoniker, Eugen Jochum, Chor der Deutschen Oper Berlin, Walter Hagen-Groll	B♭ Major	4	6B	64 BPM
Sept mélodies, Op. 2: VI. Hébé	Ernest Chausson, Véronique Gens, Susan Manoff	A Minor	0	8A	80 BPM
Carmina Burana / 1. Primo vere: "Ecce gratum"	Carl Orff, Chor der Deutschen Oper Berlin, Orchester der Deutschen Oper Berlin, Eugen Jochum	B♭ Major	4	6B	139 BPM
Symphony No. 1 in F Minor, Op. 10: IV. Lento - Allegro molto	Dmitri Shostakovich, Boston Symphony Orchestra, Andris Nelsons	B♭ Major	1	6B	91 BPM
Ein deutsches Requiem, Op. 45: 3. Solo (Bariton) und Chor: "Herr, lehre doch mich"	Johannes Brahms, Rod Gilfry, The Monteverdi Choir, Orchestre Révolutionnaire et Romantique, John Eliot Gardiner	F Major	0	7B	75 BPM
Ein deutsches Requiem, Op.45: 6. Solo (Bariton) und Chor: "Denn wir haben hie keine bleibende Statt"	Johannes Brahms, Rod Gilfry, The Monteverdi Choir, Orchestre Révolutionnaire et Romantique, John Eliot Gardiner	C Major	1	8B	111 BPM
Symphony No. 14 in G Minor, Op. 135: V. Les attentives I	Dmitri Shostakovich, Kristine Opolais, Boston Symphony Orchestra, Andris Nelsons	B♭ Major	2	6B	85 BPM
Stabat Mater, FP 148: X. Fac ut portem	Francis Poulenc, Marianne Croux, Ensemble Aedes, Les Siècles	D♭ Major	1	3B	175 BPM

ISRC: This song does not have an ISRC.
Label: L-M Records/RCA Records

Section: 0.6413178443908691

End: 0.6463344097137451