Cyrille Rose, John Walker, Christopher Hill and John Walker made "Etude No. 24 in E-flat" available on January 1, 2006. With Etude No. 24 in E-flat being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There are a total of 32 in the song's album "Rose Etudes". In this album, this song's track order is #24. Furthermore, we believe that the track originated from United States. In terms of popularity, Etude No. 24 in E-flat is currently not that popular. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Etude No. 24 in E-flat by Cyrille Rose, John Walker, Christopher Hill and John Walker having a BPM of 90 with a half-time of 45 BPM and a double-time of 180 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
F♯ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
3 Romances: Andante molto | Clara Schumann, Shirley Brill, Jonathan Aner | D♭ Major | 0 | 3B | 170 BPM | ||
Sonata "Undine" Op. 167 for Flute and Piano: I. Allegro | Carl Reinecke, Jasmine Choi | E Minor | 1 | 9A | 108 BPM | ||
A. Scotto: Orchestral Sketch n.°2 | Aurelio Scotto, Symphony Chamber Orchestra 2001 | A Minor | 2 | 8A | 132 BPM | ||
Etude No. 12 in d | Cyrille Rose, John Walker, Christopher Hill and John Walker | G Major | 2 | 9B | 73 BPM | ||
Spanish Dances, Op. 22: Danza espanola No. 4: Jota navarra, Op. 22, No. 2 | Pablo de Sarasate, Tianwa Yang, Markus Hadulla | G Major | 1 | 9B | 99 BPM | ||
La Traviata: Noi siamo Zingarelle | The Royal Wind Music | F Minor | 1 | 4A | 136 BPM | ||
Clarinet Concerto: II. Scherzando | Jean Françaix, Orchestra della Svizzera Italiana, Alain Lombard, Paolo Beltramini | D Minor | 3 | 7A | 99 BPM | ||
Horn Concerto in E-Flat Major, KV 417: I. Allegro | Wolfgang Amadeus Mozart, Mozarteum Orchestra Salzburg, Howard Griffiths, Alexandre Zanetta | E♭ Major | 1 | 5B | 122 BPM | ||
Tableaux de Provence: IV. Des Alyscamps l'âme soupire (Version pour saxophone et piano) | Paule Maurice, Louis Hognon, Flore Merlin | D♭ Minor | 0 | 12A | 66 BPM | ||
Appalachian Spring - Suite: II. Allegro - 1945 Version for 13 Instruments | Aaron Copland, Oxalys | C Major | 1 | 8B | 121 BPM |
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