Béla Bartók, Emerson String Quartet made "String Quartet No. 4, BB 95, Sz. 91: IV. Allegretto pizzicato" available on January 1, 1988. The duration of String Quartet No. 4, BB 95, Sz. 91: IV. Allegretto pizzicato is about two minutes long, specifically at 2:40. This song does not appear to have any foul language. String Quartet No. 4, BB 95, Sz. 91: IV. Allegretto pizzicato's duration is considered a little bit shorter than the average duration of a typical track. The song is number 7 out of 23 in Bartók: The String Quartets by Béla Bartók, Emerson String Quartet. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Based on our statistics, String Quartet No. 4, BB 95, Sz. 91: IV. Allegretto pizzicato's popularity is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of String Quartet No. 4, BB 95, Sz. 91: IV. Allegretto pizzicato by Béla Bartók, Emerson String Quartet is Allegro (fast, quick, and bright), since this song has a tempo of 152 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with running. The time signature for this track is 4/4.
B♭ Minor is the music key of this track. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
3 Fragmente: II. Ulysse en Itaque | Witold Lutosławski, Eva Oertle, Consuelo Giulianelli | G Minor | 0 | 6A | 80 BPM | ||
Nocturne No. 10 In E Minor | Benjamin Frith, John Field | E Minor | 0 | 9A | 65 BPM | ||
Nocturne in 3 Scenes, Op. 72: I. Tahdet tuikkivat (The Stars are Twinkling) | Selim Palmgren, Risto Lauriala | D♭ Major | 1 | 3B | 102 BPM | ||
Visions Fugitives, Op. 22: XIV. Feroce | Eteri Andjaparidze, Sergei Prokofiev | D Major | 2 | 10B | 80 BPM | ||
Music for Strings, Percussion and Celesta, BB 114: III. Adagio | Béla Bartók, Belgian Radio and Television Philharmonic Orchestra, Alexander Rahbari | D Major | 1 | 10B | 73 BPM | ||
Symphony No. 5 In C Sharp Minor: IV. Adagietto. Sehr langsam | Gustav Mahler, Wiener Philharmoniker, Pierre Boulez | F Major | 0 | 7B | 87 BPM | ||
Quatuor pour la fin du Temps: V. Louange à l'éternité de Jésus | Olivier Messiaen, Lucas Debargue | E Major | 0 | 12B | 81 BPM | ||
24 Preludes, Op. 11: No. 15 in D-Flat Major | Alexander Scriabin, Evgeny Zarafiants | D♭ Major | 0 | 3B | 69 BPM | ||
Etude in D-Sharp Minor, Op. 8, No. 12: Patetico - Remastered | Alexander Scriabin, Vladimir Horowitz | D♭ Minor | 3 | 12A | 72 BPM | ||
Préludes / Book 1, L.117: 6. Des pas sur la neige | Claude Debussy, Pierre-Laurent Aimard | F Major | 0 | 7B | 132 BPM |
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