Johann Sebastian Bach, Academy of St. Martin in the Fields, George Malcolm, Sir Neville Marriner made "Bach, JS: Brandenburg Concerto No. 3 in G Major, BWV 1048: II. Adagio" available on 1987. With Bach, JS: Brandenburg Concerto No. 3 in G Major, BWV 1048: II. Adagio being less than two minutes long, at 1:28, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 9 out of 43 in Bach: Brandenburg Concertos - Orchestral Suites by Johann Sebastian Bach, Sir Neville Marriner. Bach, JS: Brandenburg Concerto No. 3 in G Major, BWV 1048: II. Adagio is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of Bach, JS: Brandenburg Concerto No. 3 in G Major, BWV 1048: II. Adagio by Johann Sebastian Bach, Academy of St. Martin in the Fields, George Malcolm, Sir Neville Marriner is Larghetto (rather broadly), since this song has a tempo of 66 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Grieg: Peer Gynt, Op. 23, Act 1: Prelude. At the Wedding | Edvard Grieg, Lucia Popp, Academy of St. Martin in the Fields, Sir Neville Marriner | D Major | 1 | 10B | 137 BPM | ||
Symphony in D Major, Op. 2 No. 5 "St. Cecilia's Day Ode": III. Tempo di minuetto | William Boyce, Academy of St. Martin in the Fields, Sir Neville Marriner | D Major | 2 | 10B | 152 BPM | ||
Delius: 2 Aquarelles: No. 2, Gaily, But Not Quick (Arr. Fenby for String Orchestra) | Frederick Delius, Sir Neville Marriner, Academy of St. Martin in the Fields | B♭ Major | 4 | 6B | 113 BPM | ||
Missa in G Minor, BWV 235: Gratias agimus tibi | Johann Sebastian Bach, Philippe Pierlot, Ricercar Consort, Stephan MacLeod | F♯ Major | 2 | 2B | 80 BPM | ||
Concerto For 2 Keyboards in C Major, BWV 1061: I. Allegro | Cologne Chamber Orchestra, Christoph Anselm Noll, Gerald Hambitzer, Johann Sebastian Bach | A Minor | 3 | 8A | 95 BPM | ||
Water Music Suite No. 3 in G Major, HWV 350: Rigaudon I & II | George Frideric Handel, Academy of St. Martin in the Fields, Sir Neville Marriner | G Major | 1 | 9B | 98 BPM | ||
Capriol Suite: 2. Pavane | Peter Warlock, Academy of St. Martin in the Fields, Sir Neville Marriner | B♭ Major | 0 | 6B | 160 BPM | ||
Trio Sonata in C Minor, BWV 526: I. Vivace | Johann Sebastian Bach, The Brook Street Band | B Minor | 2 | 10A | 106 BPM | ||
Oboe Concerto in D Minor: I. Andante e spiccato | Alessandro Marcello, Jozsef Kiss, Budapest Ferenc Erkel Chamber Orchestra | D Minor | 1 | 7A | 156 BPM | ||
Musical Offering, BWV 1079, Quaerendo invenieti: Canon a 2 | Johann Sebastian Bach, Ricercar Consort, Philippe Pierlot, Maude Gratton, Marc Hantaï, François Fernandez | F♯ Minor | 3 | 11A | 62 BPM |
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