Kurt Weill, Palast Orchester, H.K. Gruber, Max Raabe made "Kanonen-Song (with Max Raabe)" available on February 5, 2001. With Kanonen-Song (with Max Raabe) being less than two minutes long, at 1:55, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 19 out of 19 in Charming Weill (with Max Raabe) by Kurt Weill, Palast Orchester. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Based on our statistics, Kanonen-Song (with Max Raabe)'s popularity is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of Kanonen-Song (with Max Raabe) by Kurt Weill, Palast Orchester, H.K. Gruber, Max Raabe is Allegro (fast, quick, and bright), since this song has a tempo of 138 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Die Dreigroschenoper: Kanonensong | Kurt Weill, Ensemble Modern, H.K. Gruber, Max Raabe | D♭ Minor | 4 | 12A | 108 BPM | ||
Wagner: Lohengrin, WWV 75, Act 1: Prelude (Langsam) | Richard Wagner, Wiener Philharmoniker, Rudolf Kempe | A Major | 0 | 11B | 68 BPM | ||
Petite Messe solennelle: I. Kyrie eleison - Christe eleison | Gioachino Rossini, Bavarian Radio Chorus, Tal & Groethuysen | C Major | 1 | 8B | 65 BPM | ||
The Boulevardier | Frederic Curzon, Slovak Radio Symphony Orchestra, Adrian Leaper | B♭ Major | 1 | 6B | 98 BPM | ||
Petite messe solennelle: Kyrie: Petite messe solennelle: Kyrie: I. Kyrie | Gioachino Rossini, Marcus Creed, RIAS Kammerchor | C Major | 3 | 8B | 118 BPM | ||
Samson et Dalila, Op. 47, R. 288 / Act 3: Bacchanale | Camille Saint-Saëns, Orchestre de Paris, Daniel Barenboim | B Major | 3 | 1B | 94 BPM | ||
Erbarme dich, mein Gott (From the St. Matthew Passion) | Johann Sebastian Bach, Eugen Cicero | E Minor | 3 | 9A | 136 BPM | ||
Schoenberg: Verklärte Nacht, Op. 4: I. Grave | Arnold Schoenberg, Daniel Barenboim, Chicago Symphony Orchestra, Charles Pikler, John Sharp, Joseph Golan, Li-Kuo Chang, Ruben Gonzalez, Stephen Balderston | D Minor | 1 | 7A | 174 BPM | ||
Kammermusik No. 1, Op.24 No.1: I. Sehr schnell und wild | Paul Hindemith, Claudio Abbado;Berliner Philharmoniker, Claudio Abbado, Berliner Philharmoniker | B Major | 4 | 1B | 137 BPM | ||
Symphony No. 5: IV. Adagietto: Sehr langsam | Gustav Mahler, London Symphony Orchestra, James DePreist | C Major | 2 | 8B | 127 BPM |
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