"Poema En Forma De Canciones: I. Dedicatoria" by Maria Bayo, J.A. Alvarez-Parejo was released on January 1, 1992. The duration of Poema En Forma De Canciones: I. Dedicatoria is about 3 minutes long, at 3:14. Based on our data, "Poema En Forma De Canciones: I. Dedicatoria" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 28 out of 33 in Canciones Españolas by Maria Bayo & J.A. Alvarez-Parejo. Poema En Forma De Canciones: I. Dedicatoria is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Poema En Forma De Canciones: I. Dedicatoria by Maria Bayo, J.A. Alvarez-Parejo is Adagio (slowly with great expression), since this song has a tempo of 67 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Chi vuol la zingarella (from Zingari in Fiera) | Giovanni Paisiello, Cecilia Bartoli, György Fischer | G Major | 1 | 9B | 80 BPM | ||
Paride ed Elena / Act 1: "O del mio dolce ardor" | Christoph Willibald Gluck, Anne Sofie von Otter, Paul Goodwin, The English Concert, Trevor Pinnock | E Minor | 1 | 9A | 133 BPM | ||
Roméo et Juliette, CG 9 / Act 4: Amour, ranime mon courage | Charles Gounod, Nadine Sierra, Orchestra Sinfonica Nazionale della Rai, Riccardo Frizza | F Major | 1 | 7B | 88 BPM | ||
La Calisto, Act III Scene 8: "Mio tonante" (Calisto) | Francesco Cavalli, René Jacobs, Maria Bayo, Marcello Lippi, Simon Keenlyside, Concerto Vocale | A Major | 1 | 11B | 178 BPM | ||
Les nuits d'été, Op.7: 1. Villanelle | Hector Berlioz, Anne Sofie von Otter, Berliner Philharmoniker, James Levine | B♭ Major | 0 | 6B | 129 BPM | ||
Les Contes d'Hoffmann / Act 2: "Belle nuit, ô nuit d'amour" | Jacques Offenbach, Dame Joan Sutherland, Huguette Tourangeau, Chorus Pro Arte Lausanne Du Brassus, Radio Suisse Romande Chorus, Orchestre de la Suisse Romande, Richard Bonynge | D Major | 1 | 10B | 82 BPM | ||
El Barberillo de Lavapies, Act I: Lamparilla (Paloma, Lamparilla, Marquesita, Don Luis, Don Pedro) | Francisco Asenjo Barbieri, Orquesta Sinfonica De Tenerife, Victor Pablo Pérez, Lola Casariego, Manuel Lanza, Maria Bayo, Jose Sempere, Stefano Palatchi | F Major | 2 | 7B | 107 BPM | ||
Canciones Playeras: Coplilla | Óscar Esplá, Maria Bayo, Orquesta Sinfonica de Navarra, Ernest Martinez Izquierdo | D♭ Major | 3 | 3B | 81 BPM | ||
Tonadillas, "El Mirar de la Maja" | Enrique Granados, Maria Bayo, Malcolm Martineau | G Major | 2 | 9B | 105 BPM | ||
Rachel, quand du Seigneur (La Juive) | Richard Tucker, The Columbia Opera Orchestra | F Minor | 2 | 4A | 92 BPM |
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