Le Concert royal de la Nuit, Troisième Veille, Hercule amoureux: "Moy dont les froideurs sont cognuës" (la Lune)
Jean de Cambefort, Dagmar Saskova, Ensemble Correspondances, Sébastien Daucé
Le Concert royal de la Nuit
5:18 September 3, 2015
BPM
84
Key
B Major
Camelot
1B

Embed

Share Link

Le Concert royal de la Nuit, Troisième Veille, Hercule amoureux: "Moy dont les froideurs sont cognuës" (la Lune) - Jean de Cambefort, Dagmar Saskova, Ensemble Correspondances, Sébastien Daucé Information

Acousticness
94%
Danceability
22%
Energy
5%
Instrumentalness
0%
Liveness
20%
Loudness
56%
Speechiness
5%
Valence
33%
Popularity
Loudness
-26.534 dB

Summary

Jean de Cambefort, Dagmar Saskova, Ensemble Correspondances, Sébastien Daucé's 'Le Concert royal de la Nuit, Troisième Veille, Hercule amoureux: "Moy dont les froideurs sont cognuës" (la Lune)' came out on September 3, 2015. With this song being about 5 minutes long, at 5:18, "Le Concert royal de la Nuit, Troisième Veille, Hercule amoureux: "Moy dont les froideurs sont cognuës" (la Lune)" by Jean de Cambefort, Dagmar Saskova, Ensemble Correspondances, Sébastien Daucé is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Ensemble Correspondances, Sébastien Daucé's "Le Concert royal de la Nuit" album is number 28 out of 68. On top of that, France appears to be the country where this track was created. Le Concert royal de la Nuit, Troisième Veille, Hercule amoureux: "Moy dont les froideurs sont cognuës" (la Lune) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Le Concert royal de la Nuit, Troisième Veille, Hercule amoureux: "Moy dont les froideurs sont cognuës" (la Lune) BPM

We consider the tempo marking of Le Concert royal de la Nuit, Troisième Veille, Hercule amoureux: "Moy dont les froideurs sont cognuës" (la Lune) by Jean de Cambefort, Dagmar Saskova, Ensemble Correspondances, Sébastien Daucé to be Andante (at a walking pace) because the track has a tempo of 84 BPM, a half-time of 42BPM, and a double-time of 168 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.

Le Concert royal de la Nuit, Troisième Veille, Hercule amoureux: "Moy dont les froideurs sont cognuës" (la Lune) Key

This song is in the music key of B Major. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Maddalena ai piedi di Cristo: No. 17 Recitativo Marta Maddalena ai piedi di Cristo: No. 17 Recitativo Marta "Omai spezza quel nodo"Antonio Caldara, René Jacobs, Schola Cantorum Basiliensis, Chiara BanchiniB Minor110A102 BPM
Télémaque & Calypso, Prologue Scene 1: Descendez, régnez sur la terre (Les vertus, les muses et les arts) by Andre Cardinal Destouches, Les Ombres, Sylvain Sartre, Margaux Blanchard, Les Chantres du Centre de Musique Baroque de VersaillesTélémaque & Calypso, Prologue Scene 1: Descendez, régnez sur la terre (Les vertus, les muses et les arts)Andre Cardinal Destouches, Les Ombres, Sylvain Sartre, Margaux Blanchard, Les Chantres du Centre de Musique Baroque de VersaillesF Minor34A85 BPM
Pieces de violes avec la basse chifree: Suite No. 1 in E Minor: III. Courante by François Couperin, Mikko Perkola, Aapo HäkkinenPieces de violes avec la basse chifree: Suite No. 1 in E Minor: III. CouranteFrançois Couperin, Mikko Perkola, Aapo HäkkinenD♭ Major03B86 BPM
Sonata in C Major, Op. 6, No. 1: II. Larghetto by Tomaso Albinoni, Ensemble Barocco Sans SouciSonata in C Major, Op. 6, No. 1: II. LarghettoTomaso Albinoni, Ensemble Barocco Sans SouciB Major01B103 BPM
Confitebor tibi I by Claudio Monteverdi, Krijn Koetsveld, Le Nuove MúsicheConfitebor tibi IClaudio Monteverdi, Krijn Koetsveld, Le Nuove MúsicheG Major39B75 BPM
Vespro della Beata Vergine, SV 206: IV. Psalm Vespro della Beata Vergine, SV 206: IV. Psalm "Laudate pueri Dominum"Claudio Monteverdi, Philippe Herreweghe, Collegium Vocale GentF Major27B76 BPM
Actéon, H. 481, Scene I: Allons, marchons, courons by Marc-Antoine Charpentier, Les Arts Florissants, William ChristieActéon, H. 481, Scene I: Allons, marchons, couronsMarc-Antoine Charpentier, Les Arts Florissants, William ChristieD♭ Major43B152 BPM
Minuet in G Major, BWV Anh. 114 – Minuet in G Minor, BWV Anh. 115 (Formerly Attrib. Bach) by Christian Petzold, Mahan EsfahaniMinuet in G Major, BWV Anh. 114 – Minuet in G Minor, BWV Anh. 115 (Formerly Attrib. Bach)Christian Petzold, Mahan EsfahaniB♭ Minor03A89 BPM
Chamber Sonata No. 3 in D Major: VI. Aria affettuoso by Élisabeth Jacquet de La Guerre, Musica FioritaChamber Sonata No. 3 in D Major: VI. Aria affettuosoÉlisabeth Jacquet de La Guerre, Musica FioritaD Major110B100 BPM
Beatus vir: II. Exortum est by Domenico Zipoli, Florilegium, Bolivian SoloistsBeatus vir: II. Exortum estDomenico Zipoli, Florilegium, Bolivian SoloistsD♭ Minor012A135 BPM
ISRC
FRZ141504280
Label
L-M Records/RCA Records

Section: 0.6077947616577148

End: 0.6111774444580078