"Iris: Iris: Apri la tua finestra (Serenata)" by Pietro Mascagni, Enrico Caruso, Salvatore Cottone was released on June 8, 2001. The duration of Iris: Iris: Apri la tua finestra (Serenata) is about two minutes long, specifically at 2:33. This song does not appear to have any foul language. Iris: Iris: Apri la tua finestra (Serenata)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 10 out of 27 in Caruso, Enrico: Complete Recordings, Vol. 1 (1902-1903) by Enrico Caruso. Based on our statistics, Iris: Iris: Apri la tua finestra (Serenata)'s popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Iris: Iris: Apri la tua finestra (Serenata) by Pietro Mascagni, Enrico Caruso, Salvatore Cottone is Allegro (fast, quick, and bright), since this song has a tempo of 123 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.
This song has a musical key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 6 in F, Op.68 'Pastoral': V. Allegretto (Shepherds' Hymn) | Philadelphia Orchestra, Riccardo Muti | C Major | 1 | 8B | 73 BPM | ||
Les Boréades, RCT 31, Acte IV, Scène IV: Entrée pour les Muses, les Zéphyres, les Saisons, les Heures et les Arts | Jean-Philippe Rameau, Teodor Currentzis | D♭ Major | 1 | 3B | 130 BPM | ||
The Gadfly Suite, Op. 97a: No. 8 Romance | Dmitri Shostakovich, Charlie Siem, Munich Radio Orchestra, Paul Goodwin | D♭ Major | 1 | 3B | 133 BPM | ||
Scottish Fantasy for Violin and Orchestra, Op. 46: I. Introduction: Grave, Adagio cantabile | Max Bruch, Joshua Bell, Academy of St. Martin in the Fields | E♭ Major | 2 | 5B | 60 BPM | ||
Gymnopédie No. 1 in D Major: Lent et douloureux | Erik Satie, Charles Gerhardt | G Major | 1 | 9B | 63 BPM | ||
Les Contes d'Hoffmann / Act 4: Entr'acte (Barcarolle) | Jacques Offenbach, Staatskapelle Dresden, Silvio Varviso | D Major | 0 | 10B | 121 BPM | ||
Pictures at an Exhibition (Orch. Ravel): Promenade I | Modest Mussorgsky, Wiener Philharmoniker, Gustavo Dudamel | F Major | 0 | 7B | 88 BPM | ||
Fantasia on Greensleeves | Ralph Vaughan Williams, Ralph Greaves, New Zealand Symphony Orchestra, James Judd | C Minor | 0 | 5A | 78 BPM | ||
Nocturne No. 10 In E Minor | Benjamin Frith, John Field | E Minor | 0 | 9A | 65 BPM | ||
Cavalleria rusticana: Romance and Scene: Voi lo sapete, o mamma (Santuzza and Lucia) | Pietro Mascagni, Giacomo Aragall, Stefka Evstatieva, Anna di Mauro, Alžbeta Michálková, Eduard Tumagian, Slovak Philharmonic Chorus, Slovak Radio Symphony Orchestra, Alexander Rahbari | E Major | 1 | 12B | 84 BPM |
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