Symphony No. 8 in E-Flat Major, Pt. 2 "Schlußszene aus 'Faust'": X. "Höchste Herrscherin der Welt!" [rehearsal 89]
Gustav Mahler, Maurice Abravanel, University of Utah Choruses, Utah Symphony Orchestra
Mahler: Symphony No. 8
3:48 December 17, 2021
BPM
76
Key
F Minor
Camelot
4A

Embed

Share Link

Symphony No. 8 in E-Flat Major, Pt. 2 "Schlußszene aus 'Faust'": X. "Höchste Herrscherin der Welt!" [rehearsal 89] - Gustav Mahler, Maurice Abravanel, University of Utah Choruses, Utah Symphony Orchestra Information

Acousticness
92%
Danceability
17%
Energy
5%
Instrumentalness
69%
Liveness
34%
Loudness
39%
Speechiness
5%
Valence
8%
Popularity
Loudness
-36.599 dB

Summary

"Symphony No. 8 in E-Flat Major, Pt. 2 "Schlußszene aus 'Faust'": X. "Höchste Herrscherin der Welt!" [rehearsal 89]" by Gustav Mahler, Maurice Abravanel, University of Utah Choruses, Utah Symphony Orchestra was released on December 17, 2021. With this song being around four minutes long, at 3:48, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Gustav Mahler, Maurice Abravanel, University of Utah Choruses, Utah Symphony Orchestra's "Mahler: Symphony No. 8" album is number 19 out of 28. On top of that, United States appears to be the country where this track was created. Symphony No. 8 in E-Flat Major, Pt. 2 "Schlußszene aus 'Faust'": X. "Höchste Herrscherin der Welt!" [rehearsal 89] is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Symphony No. 8 in E-Flat Major, Pt. 2 "Schlußszene aus 'Faust'": X. "Höchste Herrscherin der Welt!" [rehearsal 89] BPM

We consider the tempo marking of Symphony No. 8 in E-Flat Major, Pt. 2 "Schlußszene aus 'Faust'": X. "Höchste Herrscherin der Welt!" [rehearsal 89] by Gustav Mahler, Maurice Abravanel, University of Utah Choruses, Utah Symphony Orchestra to be Adagio (slowly with great expression) because the track has a tempo of 76 BPM, a half-time of 38BPM, and a double-time of 152 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.

Symphony No. 8 in E-Flat Major, Pt. 2 "Schlußszene aus 'Faust'": X. "Höchste Herrscherin der Welt!" [rehearsal 89] Key

This song is in the music key of F Minor. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Poème de l'amour et de la mer, Op. 19: Interlude by Ernest Chausson, Véronique Gens, Orchestre National de Lille, Alexandre BlochPoème de l'amour et de la mer, Op. 19: InterludeErnest Chausson, Véronique Gens, Orchestre National de Lille, Alexandre BlochA♭ Major04B108 BPM
Ravel: Ma mère l'Oye, M. 60: II. Petit Poucet by Maurice Ravel, Yannick Nézet-Séguin, Rotterdam Philharmonic OrchestraRavel: Ma mère l'Oye, M. 60: II. Petit PoucetMaurice Ravel, Yannick Nézet-Séguin, Rotterdam Philharmonic OrchestraC Minor05A124 BPM
Choral-Vatiationen: Var. I. In canone all'Ottava by Igor Stravinsky, Philippe Herreweghe, Royal Flemish Philharmonic, Collegium Vocale GentChoral-Vatiationen: Var. I. In canone all'OttavaIgor Stravinsky, Philippe Herreweghe, Royal Flemish Philharmonic, Collegium Vocale GentC Major18B93 BPM
Symphony No. 3 in D Minor: Part 1, I. Tempo Primo by Gustav Mahler, Esa-Pekka Salonen, Los Angeles PhilharmonicSymphony No. 3 in D Minor: Part 1, I. Tempo PrimoGustav Mahler, Esa-Pekka Salonen, Los Angeles PhilharmonicF Major17B122 BPM
Piano Concerto No. 2 in F Major, Op. 102: I. Allegro by Dmitri Shostakovich, I Musici de Montréal, Maxim ShostakovichPiano Concerto No. 2 in F Major, Op. 102: I. AllegroDmitri Shostakovich, I Musici de Montréal, Maxim ShostakovichB♭ Major36B160 BPM
L’arlésienne Suite No. 2 (Arr. E. Guiraud): III. Menuet by Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo GonzálezL’arlésienne Suite No. 2 (Arr. E. Guiraud): III. MenuetGeorges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo GonzálezE♭ Major05B76 BPM
The Seasons, Op. 67, Pt. 1 The Seasons, Op. 67, Pt. 1 "L'hiver": No. 4, Variation de la glaceAlexander Glazunov, Zagreb Philharmonic Orchestra, Dmitri KitayenkoC Major18B138 BPM
Piano Concerto in G Major, M. 83: II. Adagio assai by Maurice Ravel, Krystian Zimerman, Cleveland Orchestra, Pierre BoulezPiano Concerto in G Major, M. 83: II. Adagio assaiMaurice Ravel, Krystian Zimerman, Cleveland Orchestra, Pierre BoulezE Major012B74 BPM
Lyric Suite, Op. 54: III. Notturno (Nocturne) by Edvard Grieg, Malmö Symphony Orchestra, Bjarte EngesetLyric Suite, Op. 54: III. Notturno (Nocturne)Edvard Grieg, Malmö Symphony Orchestra, Bjarte EngesetC Major08B127 BPM
Tzigane (version for violin and orchestra) by Maurice Ravel, Marat Bisengaliev, Polish National Radio Symphony Orchestra, Johannes WildnerTzigane (version for violin and orchestra)Maurice Ravel, Marat Bisengaliev, Polish National Radio Symphony Orchestra, Johannes WildnerD Major110B123 BPM
ISRC
USX762105119
Label
L-M Records/RCA Records

Section: 0.7070696353912354

End: 0.7116954326629639