"Symphony No. 8 in E-Flat Major, Pt. 2 "Schlußszene aus 'Faust'": X. "Höchste Herrscherin der Welt!" [rehearsal 89]" by Gustav Mahler, Maurice Abravanel, University of Utah Choruses, Utah Symphony Orchestra was released on December 17, 2021. With this song being around four minutes long, at 3:48, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Gustav Mahler, Maurice Abravanel, University of Utah Choruses, Utah Symphony Orchestra's "Mahler: Symphony No. 8" album is number 19 out of 28. On top of that, United States appears to be the country where this track was created. Symphony No. 8 in E-Flat Major, Pt. 2 "Schlußszene aus 'Faust'": X. "Höchste Herrscherin der Welt!" [rehearsal 89] is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Symphony No. 8 in E-Flat Major, Pt. 2 "Schlußszene aus 'Faust'": X. "Höchste Herrscherin der Welt!" [rehearsal 89] by Gustav Mahler, Maurice Abravanel, University of Utah Choruses, Utah Symphony Orchestra to be Adagio (slowly with great expression) because the track has a tempo of 76 BPM, a half-time of 38BPM, and a double-time of 152 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of F Minor. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Poème de l'amour et de la mer, Op. 19: Interlude | Ernest Chausson, Véronique Gens, Orchestre National de Lille, Alexandre Bloch | A♭ Major | 0 | 4B | 108 BPM | ||
Ravel: Ma mère l'Oye, M. 60: II. Petit Poucet | Maurice Ravel, Yannick Nézet-Séguin, Rotterdam Philharmonic Orchestra | C Minor | 0 | 5A | 124 BPM | ||
Choral-Vatiationen: Var. I. In canone all'Ottava | Igor Stravinsky, Philippe Herreweghe, Royal Flemish Philharmonic, Collegium Vocale Gent | C Major | 1 | 8B | 93 BPM | ||
Symphony No. 3 in D Minor: Part 1, I. Tempo Primo | Gustav Mahler, Esa-Pekka Salonen, Los Angeles Philharmonic | F Major | 1 | 7B | 122 BPM | ||
Piano Concerto No. 2 in F Major, Op. 102: I. Allegro | Dmitri Shostakovich, I Musici de Montréal, Maxim Shostakovich | B♭ Major | 3 | 6B | 160 BPM | ||
L’arlésienne Suite No. 2 (Arr. E. Guiraud): III. Menuet | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | E♭ Major | 0 | 5B | 76 BPM | ||
The Seasons, Op. 67, Pt. 1 "L'hiver": No. 4, Variation de la glace | Alexander Glazunov, Zagreb Philharmonic Orchestra, Dmitri Kitayenko | C Major | 1 | 8B | 138 BPM | ||
Piano Concerto in G Major, M. 83: II. Adagio assai | Maurice Ravel, Krystian Zimerman, Cleveland Orchestra, Pierre Boulez | E Major | 0 | 12B | 74 BPM | ||
Lyric Suite, Op. 54: III. Notturno (Nocturne) | Edvard Grieg, Malmö Symphony Orchestra, Bjarte Engeset | C Major | 0 | 8B | 127 BPM | ||
Tzigane (version for violin and orchestra) | Maurice Ravel, Marat Bisengaliev, Polish National Radio Symphony Orchestra, Johannes Wildner | D Major | 1 | 10B | 123 BPM |
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