- BPM
- 83
- Key
- D Major
- Camelot
- 10B
Candide / Act II: 26. Money, Money, Money - Leonard Bernstein, London Symphony Chorus, London Symphony Orchestra Information
- Acousticness
- 94%
- Danceability
- 19%
- Energy
- 3%
- Instrumentalness
- 40%
- Liveness
- 18%
- Loudness
- 53%
- Speechiness
- 4%
- Valence
- 12%
- Popularity
- 6%
- Loudness
- -28.318 dB
Summary
"Candide / Act II: 26. Money, Money, Money" by Leonard Bernstein, London Symphony Chorus, London Symphony Orchestra was released on January 1, 1991. With Candide / Act II: 26. Money, Money, Money being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The song is number 11 out of 34 in Bernstein: Candide by Leonard Bernstein, London Symphony Orchestra. Candide / Act II: 26. Money, Money, Money is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Candide / Act II: 26. Money, Money, Money BPM
The tempo marking of Candide / Act II: 26. Money, Money, Money by Leonard Bernstein, London Symphony Chorus, London Symphony Orchestra is Andante (at a walking pace), since this song has a tempo of 83 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
Candide / Act II: 26. Money, Money, Money Key
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Symphony No. 5 in D Minor, Op. 47: III. Largo | Dmitri Shostakovich, Leonard Bernstein, New York Philharmonic | A Major | 1 | 11B | 64 BPM | |
 | Serenade No. 2 in A Major for Small Orchestra, Op. 16: II. Scherzo. Vivace - Trio | Johannes Brahms, Leonard Bernstein, New York Philharmonic | D Major | 1 | 10B | 106 BPM | |
 | Symphonie fantastique, Op. 14, H. 48: IV. Marche au supplice | Hector Berlioz, Leonard Bernstein, New York Philharmonic | G Minor | 3 | 6A | 78 BPM | |
 | Marche slave, Op. 31, TH 45 | Pyotr Ilyich Tchaikovsky, Leonard Bernstein, New York Philharmonic | B♭ Minor | 4 | 3A | 109 BPM | |
 | Symphonie fantastique, Op. 14, H 48: V. Songe d'une nuit de sabbat | Hector Berlioz, London Symphony Orchestra, Sir Colin Davis | C Minor | 1 | 5A | 60 BPM | |
 | Peter and the Wolf, Op. 67: L'istesso tempo - Più mosso | Sergei Prokofiev, New York Philharmonic, Leonard Bernstein | A♭ Major | 0 | 4B | 95 BPM | |
| Serenade No. 2 in A Major for Small Orchestra, Op. 16: V. Rondo. Allegro | Johannes Brahms, Leonard Bernstein, New York Philharmonic | A Major | 2 | 11B | 136 BPM | |
 | Divertimento: V: Turkey Trot: Allegretto, ben misurato | Leonard Bernstein, Bournemouth Symphony Orchestra, Marin Alsop | D♭ Major | 1 | 3B | 106 BPM | |
 | Appalachian Spring: V. Subito allegro | Aaron Copland, Leonard Bernstein, New York Philharmonic | C Major | 3 | 8B | 92 BPM | |
| Peter and the Wolf, Op. 67: Allegro moderato | Sergei Prokofiev, New York Philharmonic, Leonard Bernstein | A♭ Major | 2 | 4B | 79 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 1.4085021018981934
End: 1.4118821620941162