John Williams, Anne-Sophie Mutter, Wiener Philharmoniker's 'Devil's Dance - From "The Witches of Eastwick"' came out on August 14, 2020. Devil's Dance - From "The Witches of Eastwick" is about six minutes long, preciously at 5:50, making this song fairly long compared to other songs. The track order of this song in John Williams, Anne-Sophie Mutter, Wiener Philharmoniker's "John Williams in Vienna" album is number 3 out of 13. In terms of popularity, Devil's Dance - From "The Witches of Eastwick" is currently below average in popularity. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Devil's Dance - From "The Witches of Eastwick" by John Williams, Anne-Sophie Mutter, Wiener Philharmoniker to be Moderato (at a moderate speed) because the track has a tempo of 117 BPM, a half-time of 58BPM, and a double-time of 234 BPM. Based on that, the speed of the song's tempo is moderate. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Schindler 's List Theme - Arr. for Cello & Piano | Đinh Hoài Xuân, Lưu Đức Anh | D Minor | 0 | 7A | 78 BPM | ||
Nisi Dominus, RV 608 - Arr. Cello: 4. Cum dederit dilectis suis (Arr. Cello) | Antonio Vivaldi, Harriet Krijgh, Amsterdam Sinfonietta, Candida Thompson | G Minor | 0 | 6A | 106 BPM | ||
Moving to the Ghetto Oct. 31, 1940 | Wojciech Kilar, Tadeusz Strugala, The Warsaw Philharmonic National Orchestra of Poland | A Minor | 0 | 8A | 101 BPM | ||
Symphony No. 7 in A Major, Op. 92: II. Allegretto | Ludwig van Beethoven, Wiener Philharmoniker, Carlos Kleiber | E Minor | 0 | 9A | 70 BPM | ||
Music for Strings, Percussion and Celesta, Sz. 106: 3. Adagio | Béla Bartók, Detroit Symphony Orchestra, Antal Doráti | B♭ Minor | 0 | 3A | 84 BPM | ||
Pictures At An Exhibition: The Hut On Fowl's Legs (Baba-Yaga) | Modest Mussorgsky, Orchestre Symphonique de Montréal, Charles Dutoit | G Major | 2 | 9B | 89 BPM | ||
Zigeunerweisen, Op. 20: I. Moderato | Pablo de Sarasate, Anne-Sophie Mutter, Wiener Philharmoniker, James Levine | C Minor | 1 | 5A | 127 BPM | ||
The Four Seasons: 'Winter' [Concerto in F minor op. 8 no.4]: Allegro non molto | Antonio Vivaldi, Anthony Marwood | F Minor | 1 | 4A | 154 BPM | ||
Zapateado Op. 23 | Pablo de Sarasate, Sarah Chang, Charles Abramovic | A Major | 3 | 11B | 113 BPM | ||
Must the Devil Have All the Good Tunes?: III. Piú mosso: Obsession / Swing | John Adams, Yuja Wang, Los Angeles Philharmonic, Gustavo Dudamel | C Minor | 5 | 5A | 125 BPM |
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