"Must the Devil Have All the Good Tunes?: III. Piú mosso: Obsession / Swing" by John Adams, Yuja Wang, Los Angeles Philharmonic, Gustavo Dudamel was released on April 17, 2020. Since Must the Devil Have All the Good Tunes?: III. Piú mosso: Obsession / Swing is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in John Adams, Yuja Wang, Los Angeles Philharmonic, Gustavo Dudamel's "John Adams: Must the Devil Have All the Good Tunes?" album is number 3 out of 4. Based on our statistics, Must the Devil Have All the Good Tunes?: III. Piú mosso: Obsession / Swing's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Must the Devil Have All the Good Tunes?: III. Piú mosso: Obsession / Swing by John Adams, Yuja Wang, Los Angeles Philharmonic, Gustavo Dudamel to be Allegro (fast, quick, and bright) because the track has a tempo of 125 BPM, a half-time of 62BPM, and a double-time of 250 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Harmonielehre: Pt. II the Anfortas Wound | John Adams | G Minor | 0 | 6A | 67 BPM | ||
Adagio for Strings, Op. 11 - Live | Samuel Barber, Los Angeles Philharmonic, Leonard Bernstein | D♭ Major | 2 | 3B | 119 BPM | ||
Chopin: Cello Sonata in G Minor, Op. 65: III. Largo | Frédéric Chopin, Gautier Capuçon, Yuja Wang | G Major | 1 | 9B | 75 BPM | ||
Runner: III. Quarters | Steve Reich, Los Angeles Philharmonic, Susanna Mälkki | A♭ Major | 2 | 4B | 99 BPM | ||
Symphonie fantastique, Op. 14, H 48: V. Songe d'une nuit de sabbat | Hector Berlioz, London Symphony Orchestra, Sir Colin Davis | C Minor | 1 | 5A | 60 BPM | ||
Symphony No. 1, Op. 25 in D "Classical": Allegro con brio | Sergei Prokofiev, Yuri Temirkanov | E Minor | 0 | 9A | 99 BPM | ||
Three Movements for Orchestra: 2. Mvt.2 | Steve Reich, Los Angeles Philharmonic, Stefan Asbury | F Minor | 1 | 4A | 183 BPM | ||
L'Amour de loin, Premier acte: Traversée | Kaija Saariaho, Kent Nagano, Deutsches Symphonie-Orchester Berlin | B♭ Minor | 3 | 3A | 48 BPM | ||
Orfeo ed Euridice, Wq. 30 / Act II: Dance of the Blessed Spirits (Arr. by Mathieu Herzog for Cello and Strings) | Christoph Willibald Gluck, Camille Thomas, Brussels Philharmonic, Mathieu Herzog | B Minor | 1 | 10A | 87 BPM | ||
Promenade: Walking the Dog | George Gershwin, Michael Tilson Thomas, Los Angeles Philharmonic | C Major | 0 | 8B | 121 BPM |
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