"Music for Strings, Percussion and Celesta, Sz. 106: 3. Adagio" by Béla Bartók, Detroit Symphony Orchestra, Antal Doráti was released on January 1, 1985. Music for Strings, Percussion and Celesta, Sz. 106: 3. Adagio is about six minutes long, preciously at 6:17, making this song fairly long compared to other songs. The song is number 11 out of 12 in Bartók: The Miraculous Mandarin; Music for Strings, Percussion & Celesta by Béla Bartók, Kenneth Jewell Chorale, Detroit Symphony Orchestra, Antal Doráti. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Music for Strings, Percussion and Celesta, Sz. 106: 3. Adagio is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Music for Strings, Percussion and Celesta, Sz. 106: 3. Adagio by Béla Bartók, Detroit Symphony Orchestra, Antal Doráti is Andante (at a walking pace), since this song has a tempo of 84 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
B♭ Minor is the music key of this track. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Japanese Suite, Op. 33: V. Dance under the Cherry Tree | Gustav Holst, Ulster Orchestra, Joann Falletta | B♭ Major | 0 | 6B | 85 BPM | ||
The Rite of Spring, Part 1: II. The Augurs of Spring - Dances of the Young Girls | Igor Stravinsky, Vasily Petrenko, Royal Liverpool Philharmonic Orchestra | B♭ Major | 3 | 6B | 115 BPM | ||
Eine Alpensinfonie: I. Nacht - Sonnenaufgang | Richard Strauss, Bernard Haitink, London Symphony Orchestra | B♭ Minor | 0 | 3A | 88 BPM | ||
Pini di Roma, P. 141: I. I pini di Villa Borghese (The Pines of the Villa Borghese) | Ottorino Respighi, Minnesota Orchestra, Eiji Oue | F Major | 3 | 7B | 104 BPM | ||
Bram Stoker's Dracula: The Brides | Wojciech Kilar, Cracow Philharmonic Chorus, Polish National Radio Symphony Orchestra, Antoni Wit | A Minor | 3 | 8A | 47 BPM | ||
Fantasia For Strings: 4. Allegro moderato - Meno mosso | Hans Werner Henze, Collegium Musicum Zürich, Paul Sacher | F Major | 4 | 7B | 147 BPM | ||
La Mer, L.109: 2. Play of the Waves (Jeux de vagues) | Claude Debussy, Orchestre Symphonique de Montréal, Charles Dutoit | E Major | 1 | 12B | 113 BPM | ||
Peer Gynt, Op. 23: Act II, 7, In the Hall of the Mountain King | Edvard Grieg, Esa-Pekka Salonen | B Minor | 2 | 10A | 104 BPM | ||
Quatuor pour la fin du Temps: V. Louange à l'Éternité de Jésus | Olivier Messiaen, Robert Plane, Gould Piano Trio | E Major | 0 | 12B | 81 BPM | ||
Suite from Dracula: The End of Dracula | Philip Glass, Carducci String Quartet | D♭ Major | 1 | 3B | 149 BPM |
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