William Byrd, Edward de Vere, The King's Singers, Fretwork, Christopher Bruerton made "If Women Could Be Fair" available on January 13, 2023. With this song being around four minutes long, at 3:42, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 20 in the song's album "Tom and Will". In this album, this song's track order is #2. Furthermore, we believe that the track originated from United Kingdom. In terms of popularity, If Women Could Be Fair is currently unknown. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With If Women Could Be Fair by William Byrd, Edward de Vere, The King's Singers, Fretwork, Christopher Bruerton having a BPM of 96 with a half-time of 48 BPM and a double-time of 192 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 1/4.
The music key of this track is E Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Isorhythmic Motets: Apostolo glorioso - Cum tua doctrina - Andreas, Christi famulus | Guillaume Dufay, Huelgas Ensemble, Paul Van Nevel | C Major | 1 | 8B | 109 BPM | ||
Jahrkreis, Op. 5: No. 39: Wie der Hirsch schreiet nach frischem Wasser | Hugo Distler, Sjaella, Ensemble Nobiles | A Minor | 1 | 8A | 98 BPM | ||
Te Deum à 8, MWV B 15: II. Te Aeternum Patrem | Felix Mendelssohn, Franziska Bobe, Sonntraud Engels-Benz, Frieder Bernius, Katharina Eberl, Maria Kalmbach, Sigrun Bornträger, Oliver Kringel, Daniel Schmid, Johannes Hill, Felix Rathgeber, Kammerchor Stuttgart | B♭ Minor | 0 | 3A | 68 BPM | ||
Sestina, prima parte: "Incenerite spoglie" | Claudio Monteverdi, La Chapelle Vocale de l'Université de Lausanne, Jean-Christophe Aubert | B♭ Minor | 1 | 3A | 69 BPM | ||
Ubi Caritas | Ola Gjeilo, Westminster Williamson Voices, James Jordan | G Major | 2 | 9B | 77 BPM | ||
O Radiant Dawn | James MacMillan, Apollo5 | C Minor | 1 | 5A | 135 BPM | ||
Six chansons: I. La biche | Paul Hindemith, Ensemble vocal Aedes, Mathieu Romano | E Major | 1 | 12B | 120 BPM | ||
Walford Davies: A Short Requiem - De profundis clamavi (Psalm 130) | The Chapel Choir of Pembroke College, Cambridge | D Major | 0 | 10B | 94 BPM | ||
Mistresse Nichols Almand from Lachrimae, or Seaven Teares | John Dowland, Fretwork | B♭ Major | 1 | 6B | 150 BPM | ||
Three Elizabethan Partsongs: I. Sweet Day | Ralph Vaughan Williams, Quink Vocal Ensemble | E Minor | 0 | 9A | 91 BPM |
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