"Seele Christi, heilige mich" by Anton Heiller, cantus et musica Freiburg, Raimund Hug was released on June 28, 2013. The duration of Seele Christi, heilige mich is about two minutes long, specifically at 2:58. This song does not appear to have any foul language. Seele Christi, heilige mich's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in cantus et musica Freiburg, Raimund Hug's "Heiller, Kubizek, Orbán, Schilling, Nystedt, Brunner, Wiggins, Zehm, Marx, Lengerich, Kropfreiter & Planyavsky: Resurrexi - Neue Chormusik zur Fasten- und Osterzeit" album is number 3 out of 22. On top of that, Germany appears to be the country where this track was created. Based on our statistics, Seele Christi, heilige mich's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Seele Christi, heilige mich by Anton Heiller, cantus et musica Freiburg, Raimund Hug to be Allegro (fast, quick, and bright) because the track has a tempo of 145 BPM, a half-time of 72BPM, and a double-time of 290 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 3/4.
A Minor is the music key of this track. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Hindemith : Organ Concerto : II Allegro assai | Paul Hindemith, Anton Heiller, Milan Horvat, Vienna Radio Symphony Orchestra | E Major | 2 | 12B | 77 BPM | ||
Symphony in D Major, J-C 16: I. Alla breve | Giovanni Battista Sammartini, Aradia Ensemble, Kevin Mallon | A♭ Major | 1 | 4B | 64 BPM | ||
Concerto in D Minor: I. Andante e Spiccato | Benedetto Marcello, John Anderson, Simon Wright, Philharmonia Orchestra | D Minor | 1 | 7A | 78 BPM | ||
Sinfonia in A Major: I. Presto | Giovanni Battista Sammartini, Capella Istropolitana, Jaroslav Krcek | A Major | 3 | 11B | 117 BPM | ||
Concerto Grosso No.9 in A minor after "Lessons for the Harpsichord" by Domenico Scarlatti: 2. Con spirito - Andante - Con spirito | Charles Avison, The English Concert, Trevor Pinnock | A♭ Minor | 2 | 1A | 122 BPM | ||
Symphony No. 2 in A Major, Op. 2, "Birthday Ode": II. Vivace | William Boyce, Aradia Ensemble, Kevin Mallon | A♭ Major | 1 | 4B | 187 BPM | ||
Concerto Grosso Op.25-1 F Major 'Watermusic Suite No.1': Hornpipe | I Musici Di San Marco, Alberto Lizzio | F Major | 2 | 7B | 120 BPM | ||
Concerto No. 2 in A Minor | Antonio Soler, Erna Heiller, Anton Heiller | A Minor | 3 | 8A | 169 BPM | ||
Concerto III Do minore RV 119: Allegro | Modo Antiquo, Federico Maria Sardelli | C Minor | 3 | 5A | 146 BPM | ||
Concerto Grosso in C Minor, Op. 2, No. 2: IV. Allegro | Francesco Geminiani, Capella Istropolitana, Jaroslav Krcek | C Minor | 2 | 5A | 135 BPM |
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