"Symphoniae Sacrae III, Op. 12: O Herr, hilf, SWV 402" by Heinrich Schütz, Cantus Cölln, Konrad Junghanel was released on 2005. The duration of Symphoniae Sacrae III, Op. 12: O Herr, hilf, SWV 402 is about two minutes long, specifically at 2:46. This song does not appear to have any foul language. Symphoniae Sacrae III, Op. 12: O Herr, hilf, SWV 402's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 21 in the song's album "Schütz: Symphoniae Sacrae III, Op. 12". In this album, this song's track order is #5. In terms of popularity, Symphoniae Sacrae III, Op. 12: O Herr, hilf, SWV 402 is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Symphoniae Sacrae III, Op. 12: O Herr, hilf, SWV 402 by Heinrich Schütz, Cantus Cölln, Konrad Junghanel having a BPM of 96 with a half-time of 48 BPM and a double-time of 192 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of A♭ Minor. Which also means that the camelot key for this song is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Also hat Gott die Welt geliebt | The National Lutheran Choir, Heinrich Schütz | E Minor | 1 | 9A | 75 BPM | ||
Nolo mortem peccatoris | Thomas Morley, Stile Antico | F Minor | 1 | 4A | 79 BPM | ||
Tenebrae Responsories for Maundy Thursday: Tristis est anima mea: d. Presa. Vos fugam capietis | Carlo Gesualdo, Owain Park, The Gesualdo Six | A♭ Major | 0 | 4B | 84 BPM | ||
Psalmen Davids sampt etlichen Moteten und Concerten, Op. 2 (Excerpts): No. 4, Aus der Tiefe, SWV 25 | Heinrich Schütz, MDR Rundfunkchor, Frank Pschichholz, Mechthild Winter, Katharina Holzhey, Philipp Ahmann | F Minor | 2 | 4A | 75 BPM | ||
Herr, auf dich traue ich, SWV 377 | Heinrich Schütz, Ensemble Polyharmonique, Alexander Schneider, Juliane Laake, Klaus Eichhorn, Magdalene Harer, Joowon Chung, Johannes Gaubitz, Matthias Lutze | F♯ Major | 1 | 2B | 166 BPM | ||
Purcell: Funeral Sentences: Thou Know'st, Lord, Z. 58C | Henry Purcell, John Eliot Gardiner, The Monteverdi Choir, English Baroque Soloists | F♯ Minor | 1 | 11A | 118 BPM | ||
Allein Gott in der Höh sey Ehr, SwWV 299: III. Variation III | Jan Pieterszoon Sweelinck, Gustav Auzinger | D Major | 1 | 10B | 176 BPM | ||
Tenebrae Responsories for Maundy Thursday: Tristis est anima mea: b. Vos fugam capietis | Carlo Gesualdo, Owain Park, The Gesualdo Six | F♯ Major | 2 | 2B | 58 BPM | ||
Jesu, meine Freude, BWV 227: IX. Gute Nacht, o Wesen - Live | Johann Sebastian Bach, Rudolf Lutz, Chor der J. S. Bach-Stiftung, Orchester der J. S. Bach-Stiftung | A♭ Minor | 2 | 1A | 125 BPM | ||
Membra Jesu nostri, BuxWV 75: IIIa. Ad manus: Quid sunt plagae istae | Dietrich Buxtehude, Roberto Balconi, Daniele Carnovich, Mario Cecchetti, Roberta Invernizzi, Caterina Trogu, Radio Svizzera Choir, Lugano, Sonatori de la Gioiosa Marca, Accademia Instrumentale Italiana, Diego Fasolis | F♯ Minor | 2 | 11A | 100 BPM |
Section: 0.612687349319458
End: 0.618401288986206