Symphoniae Sacrae III, Op. 12: O Herr, hilf, SWV 402
Heinrich Schütz, Cantus Cölln, Konrad Junghanel
Schütz: Symphoniae Sacrae III, Op. 12
2:46 2005
BPM
96
Key
A♭ Minor
Camelot
1A

Embed

Share Link

Symphoniae Sacrae III, Op. 12: O Herr, hilf, SWV 402 - Heinrich Schütz, Cantus Cölln, Konrad Junghanel Information

Acousticness
98%
Danceability
26%
Energy
8%
Instrumentalness
38%
Liveness
12%
Loudness
65%
Speechiness
5%
Valence
15%
Popularity
Loudness
-20.77 dB

Summary

"Symphoniae Sacrae III, Op. 12: O Herr, hilf, SWV 402" by Heinrich Schütz, Cantus Cölln, Konrad Junghanel was released on 2005. The duration of Symphoniae Sacrae III, Op. 12: O Herr, hilf, SWV 402 is about two minutes long, specifically at 2:46. This song does not appear to have any foul language. Symphoniae Sacrae III, Op. 12: O Herr, hilf, SWV 402's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 21 in the song's album "Schütz: Symphoniae Sacrae III, Op. 12". In this album, this song's track order is #5. In terms of popularity, Symphoniae Sacrae III, Op. 12: O Herr, hilf, SWV 402 is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Symphoniae Sacrae III, Op. 12: O Herr, hilf, SWV 402 BPM

With Symphoniae Sacrae III, Op. 12: O Herr, hilf, SWV 402 by Heinrich Schütz, Cantus Cölln, Konrad Junghanel having a BPM of 96 with a half-time of 48 BPM and a double-time of 192 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.

Symphoniae Sacrae III, Op. 12: O Herr, hilf, SWV 402 Key

This song is in the music key of A♭ Minor. Which also means that the camelot key for this song is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Also hat Gott die Welt geliebt by The National Lutheran Choir, Heinrich SchützAlso hat Gott die Welt geliebtThe National Lutheran Choir, Heinrich SchützE Minor19A75 BPM
Nolo mortem peccatoris by Thomas Morley, Stile AnticoNolo mortem peccatorisThomas Morley, Stile AnticoF Minor14A79 BPM
Tenebrae Responsories for Maundy Thursday: Tristis est anima mea: d. Presa. Vos fugam capietis by Carlo Gesualdo, Owain Park, The Gesualdo SixTenebrae Responsories for Maundy Thursday: Tristis est anima mea: d. Presa. Vos fugam capietisCarlo Gesualdo, Owain Park, The Gesualdo SixA♭ Major04B84 BPM
Psalmen Davids sampt etlichen Moteten und Concerten, Op. 2 (Excerpts): No. 4, Aus der Tiefe, SWV 25 by Heinrich Schütz, MDR Rundfunkchor, Frank Pschichholz, Mechthild Winter, Katharina Holzhey, Philipp AhmannPsalmen Davids sampt etlichen Moteten und Concerten, Op. 2 (Excerpts): No. 4, Aus der Tiefe, SWV 25Heinrich Schütz, MDR Rundfunkchor, Frank Pschichholz, Mechthild Winter, Katharina Holzhey, Philipp AhmannF Minor24A75 BPM
Herr, auf dich traue ich, SWV 377 by Heinrich Schütz, Ensemble Polyharmonique, Alexander Schneider, Juliane Laake, Klaus Eichhorn, Magdalene Harer, Joowon Chung, Johannes Gaubitz, Matthias LutzeHerr, auf dich traue ich, SWV 377Heinrich Schütz, Ensemble Polyharmonique, Alexander Schneider, Juliane Laake, Klaus Eichhorn, Magdalene Harer, Joowon Chung, Johannes Gaubitz, Matthias LutzeF♯ Major12B166 BPM
Purcell: Funeral Sentences: Thou Know'st, Lord, Z. 58C by Henry Purcell, John Eliot Gardiner, The Monteverdi Choir, English Baroque SoloistsPurcell: Funeral Sentences: Thou Know'st, Lord, Z. 58CHenry Purcell, John Eliot Gardiner, The Monteverdi Choir, English Baroque SoloistsF♯ Minor111A118 BPM
Allein Gott in der Höh sey Ehr, SwWV 299: III. Variation III by Jan Pieterszoon Sweelinck, Gustav AuzingerAllein Gott in der Höh sey Ehr, SwWV 299: III. Variation IIIJan Pieterszoon Sweelinck, Gustav AuzingerD Major110B176 BPM
Tenebrae Responsories for Maundy Thursday: Tristis est anima mea: b. Vos fugam capietis by Carlo Gesualdo, Owain Park, The Gesualdo SixTenebrae Responsories for Maundy Thursday: Tristis est anima mea: b. Vos fugam capietisCarlo Gesualdo, Owain Park, The Gesualdo SixF♯ Major22B58 BPM
Jesu, meine Freude, BWV 227: IX. Gute Nacht, o Wesen - Live by Johann Sebastian Bach, Rudolf Lutz, Chor der J. S. Bach-Stiftung, Orchester der J. S. Bach-StiftungJesu, meine Freude, BWV 227: IX. Gute Nacht, o Wesen - LiveJohann Sebastian Bach, Rudolf Lutz, Chor der J. S. Bach-Stiftung, Orchester der J. S. Bach-StiftungA♭ Minor21A125 BPM
Membra Jesu nostri, BuxWV 75: IIIa. Ad manus: Quid sunt plagae istae by Dietrich Buxtehude, Roberto Balconi, Daniele Carnovich, Mario Cecchetti, Roberta Invernizzi, Caterina Trogu, Radio Svizzera Choir, Lugano, Sonatori de la Gioiosa Marca, Accademia Instrumentale Italiana, Diego FasolisMembra Jesu nostri, BuxWV 75: IIIa. Ad manus: Quid sunt plagae istaeDietrich Buxtehude, Roberto Balconi, Daniele Carnovich, Mario Cecchetti, Roberta Invernizzi, Caterina Trogu, Radio Svizzera Choir, Lugano, Sonatori de la Gioiosa Marca, Accademia Instrumentale Italiana, Diego FasolisF♯ Minor211A100 BPM
ISRC
This song does not have an ISRC.
Label
L-M Records/RCA Records

Section: 0.612687349319458

End: 0.618401288986206