"Jesu, meine Freude, BWV 227: IX. Gute Nacht, o Wesen - Live" by Johann Sebastian Bach, Rudolf Lutz, Chor der J. S. Bach-Stiftung, Orchester der J. S. Bach-Stiftung was released on July 31, 2019. With this song being around four minutes long, at 3:34, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Johann Sebastian Bach, Rudolf Lutz, Chor der J. S. Bach-Stiftung, Orchester der J. S. Bach-Stiftung's "Motette, BWV 227 - Jesu, meine Freude" album is number 9 out of 11. On top of that, Switzerland appears to be the country where this track was created. Based on our statistics, Jesu, meine Freude, BWV 227: IX. Gute Nacht, o Wesen - Live's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Jesu, meine Freude, BWV 227: IX. Gute Nacht, o Wesen - Live by Johann Sebastian Bach, Rudolf Lutz, Chor der J. S. Bach-Stiftung, Orchester der J. S. Bach-Stiftung to be Allegro (fast, quick, and bright) because the track has a tempo of 125 BPM, a half-time of 62BPM, and a double-time of 250 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of A♭ Minor. Because this track belongs in the A♭ Minor key, the camelot key is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Warum ist das Licht gegeben dem Mühseligen? Op. 74 No. 1: III. Siehe, wir preisen. Langsam und sanft | Johannes Brahms, Cappella Amsterdam, Daniel Reuss | F Major | 1 | 7B | 99 BPM | ||
Passionsoratorium: O Seele, deren Sehnen aus heil'gen Augen weint (Chorus) | Johann Ernst Bach, Barbara Schlick, David Cordier, Christoph Prégardien, Stephen Varcoe, Rheinische Kantorei, Kleine Konzert, Das, Hermann Max | F♯ Minor | 1 | 11A | 78 BPM | ||
Hear My Prayer | Henry Purcell, Vox Luminis, Lionel Meunier | B Minor | 1 | 10A | 175 BPM | ||
Jauchzet dem Herrn alle Welt, BWV Anh. 160: II. No. 2, Chorale: Sei Lob und Preis mit Ehren | Georg Philipp Telemann, Johann Sebastian Bach, Masaaki Suzuki, Bach Collegium Japan | E♭ Minor | 2 | 2A | 74 BPM | ||
Prima die Lectio prima: VIII. Daleth | Emilio de' Cavalieri, Le Poème Harmonique, Vincent Dumestre | A♭ Minor | 1 | 1A | 72 BPM | ||
Prelude In G Minor, BWV 930 : Praeambulum In G Minor, BWV 930 | Janos Sebestyen, Johann Sebastian Bach | G Minor | 2 | 6A | 129 BPM | ||
Requiem in C Minor, MH 559: Dies irae: Oro supplex | Michael Haydn, Cantemus, German Chamber Academy Neuss, Werner Ehrhardt | A♭ Major | 0 | 4B | 76 BPM | ||
Come, Sweet Death (Arr. for 5 Cellos) | Johann Sebastian Bach, Sheku Kanneh-Mason, Hannah Roberts, Ben Davies, Desmond Neysmith, Max Ruisi | C Minor | 1 | 5A | 88 BPM | ||
Io Mi Son Giovinetta | Claudio Monteverdi, Concerto Italiano, Rinaldo Alessandrini | D Major | 2 | 10B | 84 BPM | ||
Brandenburg Concerto No. 6 In B Flat Major, BWV 1051: II. Adagio Ma Non Tanto | Cologne Chamber Orchestra, Johann Sebastian Bach | C Minor | 1 | 5A | 83 BPM |
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