"Grieg: Peer Gynt Suite No. 2, Op. 55: IV. Solveig's Song" by Edvard Grieg, Karita Mattila, Sakari Oramo, City Of Birmingham Symphony Orchestra was released on March 1, 2004. With this song being about 5 minutes long, at 4:58, "Grieg: Peer Gynt Suite No. 2, Op. 55: IV. Solveig's Song" by Edvard Grieg, Karita Mattila, Sakari Oramo, City Of Birmingham Symphony Orchestra is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Karita Mattila, Sakari Oramo & City of Birmingham Symphony Orchestra, Sakari Oramo, City Of Birmingham Symphony Orchestra's "Grieg & Sibelius : Orchestral Songs" album is number 6 out of 14. On top of that, France appears to be the country where this track was created. Grieg: Peer Gynt Suite No. 2, Op. 55: IV. Solveig's Song is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Grieg: Peer Gynt Suite No. 2, Op. 55: IV. Solveig's Song by Edvard Grieg, Karita Mattila, Sakari Oramo, City Of Birmingham Symphony Orchestra to be Adagio (slowly with great expression) because the track has a tempo of 71 BPM, a half-time of 36BPM, and a double-time of 142 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Nocturne No. 1 in E-Flat Major | John Field, Benjamin Frith | E♭ Major | 0 | 5B | 73 BPM | ||
Kinderszenen | Robert Schumann, Ivan Moravec | F Major | 0 | 7B | 131 BPM | ||
Sonata in A Minor, L 241 | Domenico Scarlatti, Vladimir Horowitz | E Minor | 0 | 9A | 79 BPM | ||
Come, Sweet Death (Arr. for 5 Cellos) | Johann Sebastian Bach, Sheku Kanneh-Mason, Hannah Roberts, Ben Davies, Desmond Neysmith, Max Ruisi | C Minor | 1 | 5A | 88 BPM | ||
Prelude in G Minor, Op. 23, No. 5 - Live at Philharmonie, Berlin / 2018 | Sergei Rachmaninoff, Yuja Wang | G Minor | 2 | 6A | 114 BPM | ||
Young Birches, Op. 128, No. 2 | Amy Beach, Joanne Polk | F♯ Minor | 1 | 11A | 170 BPM | ||
Préludes / Book 1, L. 117: 8. La fille aux cheveux de lin | Claude Debussy, Víkingur Ólafsson | F♯ Major | 0 | 2B | 76 BPM | ||
Holberg Suite, Op. 40: 3. Gavotte (Allegretto) - Musette (poco più mosso) - Gavotte | Edvard Grieg, Gothenburg Symphony Orchestra, Neeme Järvi | G Major | 0 | 9B | 78 BPM | ||
Solfeggietto in C Minor, H. 220 | Carl Philipp Emanuel Bach, Cyprien Katsaris | F Minor | 1 | 4A | 105 BPM | ||
Jazz Suite No. 2: 4. Waltz I | Dmitri Shostakovich, Concertgebouworkest, Riccardo Chailly | B♭ Major | 2 | 6B | 178 BPM |
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