Antonio Caldara, Cecilia Bartoli, Les Musiciens du Louvre, Marc Minkowski made "La castità al cimento: "Sparga il senso lascivo veleno"" available on January 1, 2005. The duration of La castità al cimento: "Sparga il senso lascivo veleno" is about two minutes long, specifically at 2:57. This song does not appear to have any foul language. La castità al cimento: "Sparga il senso lascivo veleno"'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 16 in the song's album "Opera Proibita (Bonus Track Version)". In this album, this song's track order is #5. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, La castità al cimento: "Sparga il senso lascivo veleno"'s popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With La castità al cimento: "Sparga il senso lascivo veleno" by Antonio Caldara, Cecilia Bartoli, Les Musiciens du Louvre, Marc Minkowski having a BPM of 134 with a half-time of 67 BPM and a double-time of 268 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
B Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Orfeo ed Euridice, Wq. 30 / Acte II: Choeur: Quel est l'audacieux (Reprise) - Live | Christoph Willibald Gluck, Chorus Of Les Musiciens Du Louvre, Les Musiciens du Louvre, Marc Minkowski | D♭ Minor | 4 | 12A | 108 BPM | ||
L'Orfeo / Act III: "Possente spirto" | Claudio Monteverdi, Anthony Rolfe Johnson, English Baroque Soloists, John Eliot Gardiner | B Minor | 1 | 10A | 74 BPM | ||
Scena di Berenice, Hob. XXIVa:10: Aria "Perché, se tanti siete" | Franz Joseph Haydn, Cecilia Bartoli, Kammerorchester Basel, Muhai Tang | F Minor | 3 | 4A | 120 BPM | ||
Porpora: Mitridate: La gioia ch'io sento | Colley Cibber, Philippe Jaroussky, Cecilia Bartoli, Andrea Marcon, Venice Baroque Orchestra | A♭ Major | 2 | 4B | 86 BPM | ||
Orfeo ed Euridice, Wq. 30 / Act 3: "Che farò senza Euridice?" | Christoph Willibald Gluck, Teresa Berganza, Orchestra of the Royal Opera House, Covent Garden, Sir Alexander Gibson | C Major | 1 | 8B | 77 BPM | ||
San Filippo Neri: "Qui resta...L'alta Roma" | Alessandro Scarlatti, Cecilia Bartoli, Les Musiciens du Louvre, Marc Minkowski | D♭ Major | 4 | 3B | 130 BPM | ||
La Cenerentola / Act 2: Ah, signor, s'è ver che in petto | Gioachino Rossini, Cecilia Bartoli, Alessandro Corbelli, William Matteuzzi, Fernanda Costa, Gloria Banditelli, Enzo Dara, Orchestra del Teatro Comunale di Bologna, Riccardo Chailly | A Major | 2 | 11B | 139 BPM | ||
Paride ed Elena / Act 1: "O del mio dolce ardor" | Christoph Willibald Gluck, Anne Sofie von Otter, Paul Goodwin, The English Concert, Trevor Pinnock | E Minor | 1 | 9A | 133 BPM | ||
Altsesta: "Idu na smert" | Hermann Raupach, Cecilia Bartoli, I Barocchisti, Diego Fasolis | B♭ Major | 2 | 6B | 88 BPM | ||
De Bottis: Mitilene, regina delle amazzoni: "Io piango" - "Io peno" (Mitilene, Armidoro) | Giuseppe De Bottis, Lea Desandre, Cecilia Bartoli, Jupiter, Thomas Dunford | B Minor | 2 | 10A | 103 BPM |
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