"Altsesta: "Idu na smert"" by Hermann Raupach, Cecilia Bartoli, I Barocchisti, Diego Fasolis was released on January 1, 2013. Altsesta: "Idu na smert" appears to be safe for all ages as it is not explicit. There are a total of 11 in the song's album "St. Petersburg". In this album, this song's track order is #3. Altsesta: "Idu na smert" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Altsesta: "Idu na smert" by Hermann Raupach, Cecilia Bartoli, I Barocchisti, Diego Fasolis having a BPM of 88 with a half-time of 44 BPM and a double-time of 176 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Matthäuspassion, BWV 244: No. 65, Mache dich mein Herze rein | Johann Sebastian Bach, Benjamin Appl | D Minor | 3 | 7A | 121 BPM | ||
Extrait "Casta Diva" | Maria Callas, Tullio Serafin, Choeur et orchestre du Théâtre de la Scala de Milan | F Major | 1 | 7B | 87 BPM | ||
La Clemenza di Tito: Se mai senti spirarti sul volto | Christoph Willibald Gluck, Cecilia Bartoli, Akademie für Alte Musik Berlin, Bernhard Forck | D Major | 1 | 10B | 91 BPM | ||
Griselda, RV 718 / Act 3: Dopo un' orrida procella | Antonio Vivaldi, Cecilia Bartoli, Il Giardino Armonico, Giovanni Antonini | B♭ Major | 1 | 6B | 85 BPM | ||
Puccini: Madama Butterfly, Act 1: "Vogliatemi bene, un bene piccolino" (Butterfly, Pinkerton) | Giacomo Puccini, Antonio Pappano, Angela Gheorghiu, Jonas Kaufmann, Orchestra dell'Accademia Nazionale di Santa Cecilia | F Major | 2 | 7B | 82 BPM | ||
I trionfi del fato: E l'honor stella tiranna | Agostino Steffani, Cecilia Bartoli, I Barrochisti, Diego Fasolis | F♯ Minor | 5 | 11A | 130 BPM | ||
Polifemo, HelN 31: Alto Giove - Arr. for Voice & Piano | Nicola Porpora, Théophile Alexandre, Guillaume Vincent | E♭ Minor | 1 | 2A | 71 BPM | ||
La Betulia liberata: Aria "Prigionier che fa ritorno" | Niccolò Jommelli, Delphine Galou, Accademia Bizantina, Ottavio Dantone | D♭ Major | 1 | 3B | 139 BPM | ||
La Traviata / Act 1: E strano!...Ah, fors'è lui...Sempre libera | Giuseppe Verdi, Dame Joan Sutherland, Luciano Pavarotti, National Philharmonic Orchestra, Richard Bonynge | F Minor | 1 | 4A | 78 BPM | ||
I Capuleti e i Montecchi, Act I - Scene 2: Oh! quante volte (Giulietta) | Vincenzo Bellini, Edita Gruberova, Orchestra of the Royal Opera House, Covent Garden, Riccardo Muti | F Major | 1 | 7B | 115 BPM |
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