"The Merry Wives of Windsor: Act III - "Oh Lovely Moon"" by Otto Nicolai, Otmar Suitner, Staatskapelle Berlin, Chor der Deutschen Staatsoper Berlin was released on 1978. With this song being around four minutes long, at 3:52, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 3 out of 20 in Beethoven, Mozart, Nicolai, Weber, Flotow & Wagner: German Opera Choruses (KulturSpiegel - Eterna - Über Grenzen Hinaus) by Otmar Suitner, Staatskapelle Berlin, Chor der Deutschen Staatsoper Berlin. The popularity of The Merry Wives of Windsor: Act III - "Oh Lovely Moon" is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of The Merry Wives of Windsor: Act III - "Oh Lovely Moon" by Otto Nicolai, Otmar Suitner, Staatskapelle Berlin, Chor der Deutschen Staatsoper Berlin is Vivace (lively and fast), since this song has a tempo of 171 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 4/4.
This song has a musical key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Der Freischütz, Op. 77, J. 277: Jägerchor | Carl Maria von Weber, Radio Kamer Filharmonie, Groot Omroepkoor, Michael Schønwandt, Michael Gläser | D♭ Major | 2 | 3B | 123 BPM | ||
Die Entführung aus dem Serail, K. 384, Act I: Ach ich liebte, war so glücklich - Remastered 2024 | Wolfgang Amadeus Mozart, Wilma Lipp, Heinz Woester, Peter Klein, Walther Ludwig, Endre Koreh, Wiener Philharmoniker, Josef Krips | B♭ Major | 1 | 6B | 96 BPM | ||
Der Stein der Weisen, Act II: Herr Astromonte, wir danken euch | Wolfgang Amadeus Mozart, Johann Baptist Henneberg, Benedikt Schack, Franz Xaver Gerl, Emanuel Schikaneder, Boston Baroque, Martin Pearlman, Judith Lovat, Paul Austin Kelly | G Minor | 4 | 6A | 120 BPM | ||
Messa di Gloria: Kyrie eleison | Giacomo Puccini, Gunnar Lundberg, Antonello Palombi, Hungarian Radio Chorus, Hungarian Operetta Orchestra, Pier Giorgio Morandi | G Major | 1 | 9B | 92 BPM | ||
Puccini: Turandot, Act 1: "Là, sui monti dell’est" (Coro) | Giacomo Puccini, Antonio Pappano, Coro dell'Accademia Nazionale Di Santa Cecilia, Orchestra dell'Accademia Nazionale di Santa Cecilia | E♭ Minor | 1 | 2A | 83 BPM | ||
Les 7 paroles du Christ: 5e Parole - "Sitio" | Théodore Dubois, Jugendsinfonieorchester de Bonn Chorale Franco-Allemande de Paris, Bernard Lallement, Marie-Noelle Cros, Patrick Garayt, Philippe Desandré, Berthold Wicke | B♭ Minor | 1 | 3A | 141 BPM | ||
Brockes Passion, HWV 48: Chi sprezzando | George Frideric Handel, Dmitri Hvorostovsky, Academy of St. Martin in the Fields, Sir Neville Marriner | D Major | 2 | 10B | 109 BPM | ||
Carnival Overture - 2024 Remastered Version | Antonín Dvořák, Arthur Fiedler, Boston Symphony Orchestra | G Minor | 2 | 6A | 126 BPM | ||
Das Waldmädchen: No. 10, Larghetto | Paul Wranitzky, Czech Philharmonic Chamber Orchestra, Marek Štilec | F Major | 1 | 7B | 100 BPM | ||
Lohengrin, WWV 75 / Act I: Des Ritters will ich wahren | Richard Wagner, Cheryl Studer, Kurt Moll, Andreas Schmidt, Vienna State Opera Chorus, Peter Burian, Wiener Philharmoniker, Claudio Abbado | A Major | 5 | 11B | 137 BPM |
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