Wolfgang Amadeus Mozart, Johann Baptist Henneberg, Benedikt Schack, Franz Xaver Gerl, Emanuel Schikaneder, Boston Baroque, Martin Pearlman, Judith Lovat, Paul Austin Kelly made "Der Stein der Weisen, Act II: Herr Astromonte, wir danken euch" available on August 1, 1999. With Der Stein der Weisen, Act II: Herr Astromonte, wir danken euch being less than two minutes long, at 1:33, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Wolfgang Amadeus Mozart, Johann Baptist Henneberg, Benedikt Schack, Franz Xaver Gerl, Emanuel Schikaneder, Boston Baroque, Martin Pearlman's "Mozart, Henneberg, Schack, Gerl & Schikaneder: Der Stein der Weisen" album is number 54 out of 54. On top of that, United States appears to be the country where this track was created. Based on our statistics, Der Stein der Weisen, Act II: Herr Astromonte, wir danken euch's popularity is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Der Stein der Weisen, Act II: Herr Astromonte, wir danken euch by Wolfgang Amadeus Mozart, Johann Baptist Henneberg, Benedikt Schack, Franz Xaver Gerl, Emanuel Schikaneder, Boston Baroque, Martin Pearlman, Judith Lovat, Paul Austin Kelly to be Moderato (at a moderate speed) because the track has a tempo of 120 BPM, a half-time of 60BPM, and a double-time of 240 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
The music key of this track is G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Die Schöpfung Hob. XXI:2 / Zweiter Teil: 26. Chor: Vollendet ist das große Werk | Joseph Haydn, Berliner Philharmoniker, James Levine, Stockholm Radio Chorus, Stockholm Chamber Choir, Gustav Sjökvist | B♭ Major | 4 | 6B | 97 BPM | ||
Elias, Op. 70: Teil II: Alsdann wird euer Licht aufbrechen | Felix Mendelssohn, Thomas Hengelbrock | B♭ Minor | 1 | 3A | 85 BPM | ||
Ascanio in Alba, K. 111: Act I Scene 1: Coro di geni e grazie - Di te piu amabile | Wolfgang Amadeus Mozart, Raphaël Boulay, Michael Chance, Jill Feldman, Rosa Mannion, Howard Milner, Lorna Windsor, Paris Sorbonne University Choir, Concerto Armonico, Jacques Grimbert | D♭ Major | 0 | 3B | 180 BPM | ||
2. Coro: Sein Odem ist schwach | Georg Anton Kreusser, Domkantorei St. Martin, Karsten Storck, Mainzer Domorchester | B♭ Minor | 1 | 3A | 121 BPM | ||
Elias, Op. 70: Teil I: Wohl dem, der den Herrn fürchtet | Felix Mendelssohn, Thomas Hengelbrock | F Major | 1 | 7B | 75 BPM | ||
Mass in C Major, Op. 86: Gloria: Qui tollis peccata mundi | Ludwig van Beethoven, Katherine van Kampen, Ingeborg Danz, Keith Lewis, Michel Brodard, Gächinger Kantorei Stuttgart, Bach-Collegium Stuttgart, Helmuth Rilling | C Major | 0 | 8B | 136 BPM | ||
Gloria in D Major, RV 589: III. Laudamus te | Antonio Vivaldi, Martin Pearlman, Boston Baroque, Tamara Matthews, Deanne Meek | F♯ Major | 2 | 2B | 114 BPM | ||
Brandenburg Concerto No. 4 in G Major, BWV 1049: III. Presto | Johann Sebastian Bach, Boston Baroque, Martin Pearlman, Daniel Stepner, Christopher Krueger, Roy Sansom | A Major | 2 | 11B | 123 BPM | ||
Brandenburg Concerto No. 5 in D Major, BWV 1050: II. Affettuoso | Johann Sebastian Bach, Boston Baroque, Martin Pearlman, Daniel Stepner, Christopher Krueger | A Major | 2 | 11B | 123 BPM | ||
Mass No. 2 in G Major, D. 167: Credo: Credo in unum Deum | Franz Schubert, Claudia Reinhard, Rüdiger Ballhorn, Markus Flaig, Immortal Bach Ensemble, Leipzig Chamber Orchestra, Morten Schuldt-Jensen | E Major | 0 | 12B | 76 BPM |
Section: 1.2432165145874023
End: 1.248734474182129