Brandenburg Concerto No. 4 in G Major, BWV 1049: III. Presto - Johann Sebastian Bach, Boston Baroque, Martin Pearlman, Daniel Stepner, Christopher Krueger, Roy Sansom Information

Acousticness: 82%
Danceability: 46%
Energy: 16%
Instrumentalness: 85%
Liveness: 7%
Loudness: 61%
Speechiness: 5%
Valence: 64%
Popularity: 0%
Loudness: -23.202 dB

Summary

Johann Sebastian Bach, Boston Baroque, Martin Pearlman, Daniel Stepner, Christopher Krueger, Roy Sansom made "Brandenburg Concerto No. 4 in G Major, BWV 1049: III. Presto" available on May 1, 1993. With this song being about 5 minutes long, at 4:40, "Brandenburg Concerto No. 4 in G Major, BWV 1049: III. Presto" by Johann Sebastian Bach, Boston Baroque, Martin Pearlman, Daniel Stepner, Christopher Krueger, Roy Sansom is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 3 out of 9 in Bach: Brandenburg Concertos Nos. 4, 5 & 6 by Johann Sebastian Bach, Boston Baroque, Martin Pearlman. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Based on our statistics, Brandenburg Concerto No. 4 in G Major, BWV 1049: III. Presto's popularity is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.

Brandenburg Concerto No. 4 in G Major, BWV 1049: III. Presto BPM

The tempo marking of Brandenburg Concerto No. 4 in G Major, BWV 1049: III. Presto by Johann Sebastian Bach, Boston Baroque, Martin Pearlman, Daniel Stepner, Christopher Krueger, Roy Sansom is Allegro (fast, quick, and bright), since this song has a tempo of 123 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.

Brandenburg Concerto No. 4 in G Major, BWV 1049: III. Presto Key

This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Overture (Suite) In G Minor, TWV 55: G4: VI. Gasconnade	Cologne Chamber Orchestra, Georg Philipp Telemann	G Minor	4	6A	146 BPM
Nocturne No.19 In E Minor, Op.72 No.1	Frédéric Chopin, Maurizio Pollini	B Major	0	1B	139 BPM
Orpheo ed Euridice, Wq. 30, Act II: Dance of the Blessed Spirits	Christoph Willibald Gluck, Eugene Ormandy, Philadelphia Orchestra	D Minor	1	7A	67 BPM
Debussy: Piano Trio in G Major, L. 5: II. Scherzo - Intermezzo - Moderato con allegro	Claude Debussy, Bertrand Chamayou	F♯ Minor	0	11A	80 BPM
Nocturne No. 1 in E Flat Major, H.24	John Field, Elizabeth Joy Roe	E♭ Major	0	5B	75 BPM
Concerto For 2 Keyboards In C Minor, BWV 1062: II. Andante E Piano	Cologne Chamber Orchestra, Michael Behringer, Robert Hill, Johann Sebastian Bach	E♭ Major	1	5B	103 BPM
Goldberg Variations (‘Air with Thirty Variations’), BWV 988: Goldberg Variations (‘Air with Thirty Variations’), BWV 988: II. Allegro con freschezza, e deciso	Chiyan Wong, Johann Sebastian Bach, Ferruccio Busoni	D Major	2	10B	105 BPM
Keyboard Concerto in G Major, Wq. 44: II. Andantino	Carl Philipp Emanuel Bach, Michael Rische, Kammersymphonie Leipzig	E Minor	0	9A	87 BPM
Suite From Abdelzar: I. Rondeau	Henry Purcell, Tafelmusik Baroque Orchestra, Jeanne Lamon	D♭ Minor	1	12A	101 BPM
Ouverture in D Major, "Darmstadt": Harlequinade	Georg Philipp Telemann, Cologne Chamber Orchestra, Helmut Muller-Bruhl	D♭ Major	1	3B	174 BPM

ISRC: USTE10303354
Label: L-M Records/RCA Records

Section: 0.6250879764556885

End: 0.629042387008667