"Elias, Op. 70: Teil I: Wohl dem, der den Herrn fürchtet" by Felix Mendelssohn, Thomas Hengelbrock was released on November 18, 2016. The duration of Elias, Op. 70: Teil I: Wohl dem, der den Herrn fürchtet is about two minutes long, specifically at 2:49. This song does not appear to have any foul language. Elias, Op. 70: Teil I: Wohl dem, der den Herrn fürchtet's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Felix Mendelssohn, Thomas Hengelbrock's "Mendelssohn: Elias, Op. 70" album is number 13 out of 48. On top of that, Germany appears to be the country where this track was created. Elias, Op. 70: Teil I: Wohl dem, der den Herrn fürchtet is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Elias, Op. 70: Teil I: Wohl dem, der den Herrn fürchtet by Felix Mendelssohn, Thomas Hengelbrock to be Adagio (slowly with great expression) because the track has a tempo of 75 BPM, a half-time of 38BPM, and a double-time of 150 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Jauchzet Gott in allen Landen, BWV 51: Jauchzet Gott in allen Landen (Arie) | Johann Sebastian Bach, Núria Rial, Julia Schröder | B Major | 3 | 1B | 97 BPM | ||
Missa Solemnis: XIII. Sanctus | Leopold Mozart, Bayerische Kammerphilharmonie, Alessandro De Marchi, Das Vokalprojekt | C Major | 2 | 8B | 132 BPM | ||
Glory | Alejandro Llovet Abascal | D Major | 3 | 10B | 96 BPM | ||
Laudate Dominum | Natalie Choquette | F Major | 2 | 7B | 104 BPM | ||
Magnificat in B flat major: Sicut erat in principio | Francesco Durante, Thomas Hengelbrock | A Major | 2 | 11B | 125 BPM | ||
Mass No. 3 in F Minor, WAB 28: Sanctus | Anton Bruckner, Lenneke Ruiten, Iris Vermillion, Shawn Mathey, Franz-Josef Selig, Rundfunkchor Berlin, Orchestre de la Suisse Romande, Marek Janowski | D Major | 1 | 10B | 95 BPM | ||
Mass No. 2 in G Major, D. 167: I. Kyrie | Franz Schubert, Edith Lienbacher, Alexander Kaimbacher, Anton Scharinger, Erhard Nowak, Vienna Chamber Choir, Orpheus Orchester Wien, Johannes Prinz | G Major | 1 | 9B | 131 BPM | ||
Missa pro defuncto Archiepiscopo Sigismundo, MH 154: Dies Irae | Michael Haydn, Christian Zacharias, Johanette Zomer, Helena Rasker, Markus Schäfer, Klaus Mertens, Schweizer Kammerchor, Orchestre de Chambre de Lausanne | B♭ Major | 3 | 6B | 111 BPM | ||
Thétis et Pelée: Ouverture | Jean-Benjamin de La Borde, Reinoud Van Mechelen, A Nocte Temporis | E Major | 2 | 12B | 134 BPM | ||
Mysliveček: L'Olimpiade: "Siam navi" (Aminta) | Josef Mysliveček, Vaclav Luks, Krystian Adam | C Major | 0 | 8B | 61 BPM |
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