Gottfried Huppertz, Berlin Radio Symphony Orchestra, Frank Strobel's 'Metropolis: I. Auftakt: Rotwang und Fredersen' came out on June 7, 2011. With Metropolis: I. Auftakt: Rotwang und Fredersen being less than two minutes long, at 1:15, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Gottfried Huppertz, Frank Strobel's "Metropolis" album is number 11 out of 32. On top of that, Germany appears to be the country where this track was created. Based on our statistics, Metropolis: I. Auftakt: Rotwang und Fredersen's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Metropolis: I. Auftakt: Rotwang und Fredersen by Gottfried Huppertz, Berlin Radio Symphony Orchestra, Frank Strobel to be Allegro (fast, quick, and bright) because the track has a tempo of 122 BPM, a half-time of 61BPM, and a double-time of 244 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Divertimento: I. Sennets and Tuckets: Allegro non troppo, ma con brio | Leonard Bernstein, Bournemouth Symphony Orchestra, Marin Alsop | D♭ Major | 1 | 3B | 106 BPM | ||
La Tragédie de Salomé, Op. 50: I. Prélude | Florent Schmitt, Frankfurt Radio Symphony Orchestra, Alain Altinoglu | F Major | 1 | 7B | 82 BPM | ||
The Planets, Op. 32: VI. Uranus, the Magician | Gustav Holst, Daniel Harding, Symphonieorchester des Bayerischen Rundfunks | F Major | 0 | 7B | 71 BPM | ||
Metropolis: III. Furioso: Auf dem Dach des Domes | Gottfried Huppertz, Berlin Radio Symphony Orchestra, Frank Strobel | F Major | 2 | 7B | 146 BPM | ||
Overture (From "Vater Sergius") | Rundfunk Sinfonieorchester Berlin, Frank Strobel | G Minor | 0 | 6A | 68 BPM | ||
Moskva, Cheryomushki (Moscow, Cheryomushki) Suite, Op. 105 (arr. A. Cornall): III. Dances | Dmitri Shostakovich, Andrew Cornall, Berlin Radio Symphony Orchestra, Steven Sloane | F Major | 3 | 7B | 95 BPM | ||
Polovtsian Dances from Prince Igor: V. Presto | Alexander Borodin, Chicago Symphony Orchestra, Daniel Barenboim | A Major | 4 | 11B | 184 BPM | ||
Gianni Schicchi: O mio babbino caro | Giacomo Puccini, Julia Varady, Berlin Radio Symphony Orchestra, Marcello Viotti | E♭ Major | 1 | 5B | 72 BPM | ||
Die Meistersinger von Nürnberg (The Mastersingers of Nuremberg): Act I: Prelude | Richard Wagner, Albert Dohmen, Georg Zeppenfeld, Michael Smallwood, Sebastian Noack, Dietrich Henschel, Tuomas Pursio, Jorg Schorner, Thomas Ebenstein, Thorsteen Scharnke, Tobias Berndt, Hans-Peter Scheidegger, Hyung-Wook Lee, Robert Dean Smith, Peter Sonn, Edith Haller, Michelle Breedt, Matti Salminen, Rundfunkchor Berlin, Berlin Radio Symphony Orchestra, Marek Janowski | C Major | 3 | 8B | 96 BPM | ||
Pines of Rome, P. 141: I. The Pines of the Villa Borghese | Ottorino Respighi, Orchestra Sinfonica Nazionale Della RAI, Robert Trevino | B Major | 2 | 1B | 124 BPM |
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