Richard Wagner, Albert Dohmen, Georg Zeppenfeld, Michael Smallwood, Sebastian Noack, Dietrich Henschel, Tuomas Pursio, Jorg Schorner, Thomas Ebenstein, Thorsteen Scharnke, Tobias Berndt, Hans-Peter Scheidegger, Hyung-Wook Lee, Robert Dean Smith, Peter Sonn, Edith Haller, Michelle Breedt, Matti Salminen, Rundfunkchor Berlin, Berlin Radio Symphony Orchestra, Marek Janowski's 'Die Meistersinger von Nürnberg (The Mastersingers of Nuremberg): Act I: Prelude' came out on November 1, 2011. Since Die Meistersinger von Nürnberg (The Mastersingers of Nuremberg): Act I: Prelude is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. This song is part of Wagner: Die Meistersinger von Nurnberg by Richard Wagner, Berlin Radio Symphony Orchestra, Dietrich Henschel, Georg Zeppenfeld, Marek Janowski. The song's track number on the album is #1 out of 47 tracks. Based on our data, Netherlands was the country where this track was produced or recorded. In terms of popularity, Die Meistersinger von Nürnberg (The Mastersingers of Nuremberg): Act I: Prelude is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Die Meistersinger von Nürnberg (The Mastersingers of Nuremberg): Act I: Prelude by Richard Wagner, Albert Dohmen, Georg Zeppenfeld, Michael Smallwood, Sebastian Noack, Dietrich Henschel, Tuomas Pursio, Jorg Schorner, Thomas Ebenstein, Thorsteen Scharnke, Tobias Berndt, Hans-Peter Scheidegger, Hyung-Wook Lee, Robert Dean Smith, Peter Sonn, Edith Haller, Michelle Breedt, Matti Salminen, Rundfunkchor Berlin, Berlin Radio Symphony Orchestra, Marek Janowski has a tempo of 96 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Die Meistersinger von Nürnberg (The Mastersingers of Nuremberg): Act I: Prelude being at 96 BPM, the half-time would be 48 BPM with a double-time of 192 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song has a musical key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Variations On An Original Theme, Op.36 "Enigma": 1. C.A.E. (L'istesso tempo) | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | G Minor | 0 | 6A | 81 BPM | ||
Fidelio op.72 - Edited Helga Lühning & Robert Didio / Act 1: O welche Lust | Ludwig van Beethoven, Juan Sebastian Acosta, Levente Pall, Arnold Schoenberg Chor, Lucerne Festival Orchestra, Mahler Chamber Orchestra, Claudio Abbado | B♭ Major | 0 | 6B | 100 BPM | ||
Capriccio Espagnol, Op. 34: II. Variazioni | Nikolai Rimsky-Korsakov, Berliner Philharmoniker, Lorin Maazel | G Major | 2 | 9B | 74 BPM | ||
Messa da Requiem: 2b. Tuba mirum - 2c. Mors Stupebit | Giuseppe Verdi, Martti Talvela, Vienna State Opera Chorus, Wiener Philharmoniker, Sir Georg Solti | D Major | 2 | 10B | 130 BPM | ||
Capriccio, Op. 85, TrV 279: Mondscheinmusik | Richard Strauss, Wiener Philharmoniker, André Previn | A Major | 1 | 11B | 100 BPM | ||
Symphony No. 2 in C Minor "Resurrection": IV. Urlicht. Sehr feierlich, aber schlicht | Gustav Mahler, Lorin Maazel, Wiener Philharmoniker | B♭ Major | 2 | 6B | 130 BPM | ||
Tchaikovsky: Variations on a Rococo Theme, Op. 33: Variation VI - Andante | Pyotr Ilyich Tchaikovsky, Munich Philharmonic Orchestra, Valery Gergiev | D Major | 1 | 10B | 117 BPM | ||
L'Arlésienne Suite No. 1, WD 40: 4. Carillon | Georges Bizet, Orchestre de Paris, Semyon Bychkov | E Major | 0 | 12B | 115 BPM | ||
Die Zauberflöte, K.620 / Act 2: "Ach, ich fühl's" | Wolfgang Amadeus Mozart, Kiri Te Kanawa, Academy of St. Martin in the Fields, Sir Neville Marriner | G Minor | 0 | 6A | 69 BPM | ||
Le roi s'amuse: Madrigal | Léo Delibes, Slovak Philharmonic, Ondrej Lenard | A Major | 0 | 11B | 82 BPM |
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