Delibes: Lakmé, Act 2: "Le maître ne pense qu'à sa vengeance" (Hadji)
Léo Delibes, Alain Lombard, Mady Mesple, Choeurs du Théâtre National De l'Opéra-Comique, Paris, Orchestre du Théâtre national de l'Opéra-Comique, Bernadette Antoine, Joseph Peyron, Orchestre du Theatre National de IOpera-Comique
Delibes: Lakmé
1:56 April 4, 1971
BPM
80
Key
G Minor
Camelot
6A

Embed

Share Link

Delibes: Lakmé, Act 2: "Le maître ne pense qu'à sa vengeance" (Hadji) - Léo Delibes, Alain Lombard, Mady Mesple, Choeurs du Théâtre National De l'Opéra-Comique, Paris, Orchestre du Théâtre national de l'Opéra-Comique, Bernadette Antoine, Joseph Peyron, Orchestre du Theatre National de IOpera-Comique Information

Acousticness
93%
Danceability
25%
Energy
6%
Instrumentalness
0%
Liveness
28%
Loudness
51%
Speechiness
5%
Valence
14%
Popularity
Loudness
-29.416 dB

Summary

"Delibes: Lakmé, Act 2: "Le maître ne pense qu'à sa vengeance" (Hadji)" by Léo Delibes, Alain Lombard, Mady Mesple, Choeurs du Théâtre National De l'Opéra-Comique, Paris, Orchestre du Théâtre national de l'Opéra-Comique, Bernadette Antoine, Joseph Peyron, Orchestre du Theatre National de IOpera-Comique was released on April 4, 1971. With Delibes: Lakmé, Act 2: "Le maître ne pense qu'à sa vengeance" (Hadji) being less than two minutes long, at 1:56, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 38 out of 58 in Delibes: Lakmé by Léo Delibes, Mady Mesple, Charles Burles, Orchestre du Théâtre national de l'Opéra-Comique, Alain Lombard. Delibes: Lakmé, Act 2: "Le maître ne pense qu'à sa vengeance" (Hadji) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Delibes: Lakmé, Act 2: "Le maître ne pense qu'à sa vengeance" (Hadji) BPM

The tempo marking of Delibes: Lakmé, Act 2: "Le maître ne pense qu'à sa vengeance" (Hadji) by Léo Delibes, Alain Lombard, Mady Mesple, Choeurs du Théâtre National De l'Opéra-Comique, Paris, Orchestre du Théâtre national de l'Opéra-Comique, Bernadette Antoine, Joseph Peyron, Orchestre du Theatre National de IOpera-Comique is Andante (at a walking pace), since this song has a tempo of 80 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.

Delibes: Lakmé, Act 2: "Le maître ne pense qu'à sa vengeance" (Hadji) Key

This song is in the music key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Dolly, Op. 56: 1. Berceuse by Gabriel Fauré, Katia Labèque, Marielle LabèqueDolly, Op. 56: 1. BerceuseGabriel Fauré, Katia Labèque, Marielle LabèqueE Major012B63 BPM
Le bourgeois gentilhomme: Chaconne des Scaramouches, Frivelins et Arlequins by Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin MallonLe bourgeois gentilhomme: Chaconne des Scaramouches, Frivelins et ArlequinsJean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin MallonF♯ Major02B0 BPM
Messiah, HWV 56, Part I: Pastoral Symphony, Messiah, HWV 56, Part I: Pastoral Symphony, "Pifa" (arr. L. Stokowski)George Frideric Handel, Leopold Stokowski, Bournemouth Symphony Orchestra, José SerebrierC Major08B92 BPM
Symphony No. 3 in C Minor, Op. 78 Symphony No. 3 in C Minor, Op. 78 "Organ Symphony": 2b. Maestoso - Più allegro - Molto allegroCamille Saint-Saëns, Peter Hurford, Orchestre Symphonique de Montréal, Charles DutoitG Major39B150 BPM
La source, ou Naila: Suite No. 2: Suite No. 2: Scherzo Polka by Léo Delibes, Slovak Radio Symphony Orchestra, Andrew MogreliaLa source, ou Naila: Suite No. 2: Suite No. 2: Scherzo PolkaLéo Delibes, Slovak Radio Symphony Orchestra, Andrew MogreliaE Major012B82 BPM
Pictures At An Exhibition: Promenade by Modest Mussorgsky, Chicago Symphony Orchestra, Carlo Maria GiuliniPictures At An Exhibition: PromenadeModest Mussorgsky, Chicago Symphony Orchestra, Carlo Maria GiuliniA♭ Major04B87 BPM
Adagio in E Major, K. 261 by Wolfgang Amadeus Mozart, Pinchas Zukerman, Saint Paul Chamber OrchestraAdagio in E Major, K. 261Wolfgang Amadeus Mozart, Pinchas Zukerman, Saint Paul Chamber OrchestraE Major112B100 BPM
6 Studies in English Folksong (Version for Cello & Piano): No. 3, Larghetto 6 Studies in English Folksong (Version for Cello & Piano): No. 3, Larghetto "Van Dieman's Land"Ralph Vaughan Williams, Gerald Peregrine, Antony InghamD Minor07A81 BPM
Lohengrin: Prelude by Richard Wagner, Slovak Philharmonic, Michael HalaszLohengrin: PreludeRichard Wagner, Slovak Philharmonic, Michael HalaszA Major011B75 BPM
Symphony No.4 in D Minor, Op.12 No.4, G.506: 2. Andantino con moto I by Luigi Boccherini, Per Egland, Christian Lindberg, MIN EnsembleSymphony No.4 in D Minor, Op.12 No.4, G.506: 2. Andantino con moto ILuigi Boccherini, Per Egland, Christian Lindberg, MIN EnsembleC Minor15A97 BPM
ISRC
This song does not have an ISRC.
Label
L-M Records/RCA Records

Section: 0.7762703895568848

End: 0.7815027236938477