George Frideric Handel, Academy of St. Martin in the Fields, Iona Brown's 'Concerto Grosso in D Minor, Op. 6, No. 10, HWV 328: VI. Allegro moderato' came out on January 1, 2000. With Concerto Grosso in D Minor, Op. 6, No. 10, HWV 328: VI. Allegro moderato being less than two minutes long, at 1:37, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in George Frideric Handel's "Handel: Concerto Grosso Op. 6, Nos. 1, 2, 8, 9, 10 and 12" album is number 27 out of 32. On top of that, Germany appears to be the country where this track was created. Concerto Grosso in D Minor, Op. 6, No. 10, HWV 328: VI. Allegro moderato is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Concerto Grosso in D Minor, Op. 6, No. 10, HWV 328: VI. Allegro moderato by George Frideric Handel, Academy of St. Martin in the Fields, Iona Brown to be Andante (at a walking pace) because the track has a tempo of 77 BPM, a half-time of 38BPM, and a double-time of 154 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of D♭ Minor. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto Grosso in G Major, Op. 3, No. 3, HWV 314: III. Allegro | George Frideric Handel, Iona Brown, Philippa Davies, Academy of St. Martin in the Fields | G Major | 1 | 9B | 85 BPM | ||
Telemann: Concerto for 2 Oboes and Trumpet in D Major, TWV 53/D2: IV. Allegro | Georg Philipp Telemann, Maurice André, Sir Neville Marriner, Academy of St. Martin in the Fields | A Major | 2 | 11B | 100 BPM | ||
Concerto Grosso in D Major, Op. 3, No. 9: II. Presto | Francesco Onofrio Manfredini, Capella Istropolitana, Jaroslav Krcek | D Major | 4 | 10B | 137 BPM | ||
Symphony No. 10 in G, K.74: 3. (Allegro) | Wolfgang Amadeus Mozart, Academy of St. Martin in the Fields, Sir Neville Marriner | D Major | 4 | 10B | 152 BPM | ||
Concerto for 3 Trumpets, 2 Oboes, Timpani, Strings and Continuo in D: 3. Allegro | Georg Philipp Telemann, Håkan Hardenberger, Michael Laird, William Houghton, Celia Nicklin, Tess Miller, Graham Sheen, John Constable, Academy of St. Martin in the Fields, Iona Brown | D Major | 2 | 10B | 122 BPM | ||
Trio Sonata in F Major, Op. 2 No. 4, HWV 389 (Arr. for Transverse Flute, Violin, Guitar & Continuo): III. Adagio | George Frideric Handel, Ramiro Morales, L'Apothéose Ensemble, Carla Sanfélix, Laura Quesada, Asís Márquez, Victor Martinez | G Major | 10 | 9B | 136 BPM | ||
Instrumental Music from Dioclesian, Z. 627: 2. Preludio | Henry Purcell, Jeanne Lamon, Tafelmusik Baroque Orchestra | B Minor | 0 | 10A | 114 BPM | ||
Mozart: Eine kleine Nachtmusik, K. 525: IV. Rondo. Allegro | Wolfgang Amadeus Mozart, Sir Neville Marriner, Academy of St. Martin in the Fields | G Major | 2 | 9B | 117 BPM | ||
Concerto Grosso in C Minor, Op. 1, No. 2: I. Adagio | Pietro Locatelli, Capella Istropolitana, Jaroslav Krcek | C Minor | 1 | 5A | 105 BPM | ||
Concerto in B flat for Trumpet, Violin and Strings RV 548 (ed. Malipiero): III. Allegro | Maurice André, Iona Brown, Sir Neville Marriner, Academy of St. Martin in the Fields | F Major | 1 | 7B | 99 BPM |
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