Marco Uccellini, Nicholas McGegan, The Arcadian Academy's 'Aria Decima Quarta "sopra La mia Pedrina (Book 4)' came out on November 10, 1993. With this song being around four minutes long, at 4:12, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 18 in the song's album "Uccellini: "La bergamasca"". In this album, this song's track order is #11. Based on our statistics, Aria Decima Quarta "sopra La mia Pedrina (Book 4)'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Aria Decima Quarta "sopra La mia Pedrina (Book 4) by Marco Uccellini, Nicholas McGegan, The Arcadian Academy having a BPM of 144 with a half-time of 72 BPM and a double-time of 288 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 3/4.
This song is in the music key of B Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Le Retrouvé | Monsieur de Sainte-Colombe, Hille Perl | D♭ Minor | 0 | 12A | 82 BPM | ||
Mystery (Rosary) Sonata No. 3, "The Nativity": III. Adagio | Heinrich Ignaz Franz von Biber, Sirkka-Liisa Kaakinen, Battalia | B♭ Minor | 0 | 3A | 80 BPM | ||
Sonate III in F Major: I. Adagio | Élisabeth Jacquet de La Guerre, Ingrid Matthews, Byron Schenkman, Margriet Tindemans | A Major | 1 | 11B | 106 BPM | ||
Tombeau Les Regrets | Monsieur de Sainte-Colombe, Hille Perl | F♯ Major | 0 | 2B | 80 BPM | ||
Balletto à 3 in G Major, Op. 3 No. 3: II. Allemanda. Allegro | Tomaso Albinoni, London Baroque | D♭ Minor | 2 | 12A | 138 BPM | ||
Israel in Egypt, HWV 54: Symphony | George Frideric Handel, Laura Albino, Nils Brown, Jennifer Ens Modolo, Peter Mahon, Eve Rachel McLeod, Jason Nedecky, Bud Roach, Jennie Such, Sean Watson, Aradia Ensemble, Kevin Mallon | B Major | 3 | 1B | 108 BPM | ||
Membra Jesu nostri, BuxWV 75: Ad pedes. Sonata | Dietrich Buxtehude, RossoPorpora Ensemble, Walter Testolin | C Minor | 1 | 5A | 98 BPM | ||
Viola da gamba Sonata in D Major, A2:50: III. Allegro | Carl Friedrich Abel, Paolo Pandolfo, Amelie Chemin, Andrea Buccarella | D♭ Major | 3 | 3B | 97 BPM | ||
III. Le tendre: (Ouverture) Le tendre - Sarabande du tendre - Gavote La ferme - Menuet du tendre | Monsieur de Sainte-Colombe, Les Voix Humaines | A♭ Minor | 1 | 1A | 73 BPM | ||
Lachrimae | Johann Schop, Rachel Podger, Brecon Baroque | D♭ Minor | 1 | 12A | 119 BPM |
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