"Mystery (Rosary) Sonata No. 3, "The Nativity": III. Adagio" by Heinrich Ignaz Franz von Biber, Sirkka-Liisa Kaakinen, Battalia was released on March 4, 2014. With Mystery (Rosary) Sonata No. 3, "The Nativity": III. Adagio being less than two minutes long, at 1:56, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 7 out of 42 in Biber: Rosenkrantz Sonaten (Mystery Sonatas) by Heinrich Ignaz Franz von Biber, Sirkka-Liisa Kaakinen. Mystery (Rosary) Sonata No. 3, "The Nativity": III. Adagio is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Mystery (Rosary) Sonata No. 3, "The Nativity": III. Adagio by Heinrich Ignaz Franz von Biber, Sirkka-Liisa Kaakinen, Battalia is Andante (at a walking pace), since this song has a tempo of 80 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of B♭ Minor. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sinfonia to Santa Beatrice d'Este in D Minor, WoO 1: I. Grave | Arcangelo Corelli, Freiburger Barockorchester, Gottfried Von Der Goltz | F♯ Minor | 2 | 11A | 107 BPM | ||
Canon And Gigue In D Major: 2. Gigue | Johann Pachelbel, Henk Bouman, Musica Antiqua Köln, Reinhard Goebel | D♭ Major | 3 | 3B | 119 BPM | ||
Recorder Sonata in A Minor: III. Tempo di Minuetto | Diogenio Bigaglia, Dan Laurin, Parnassus Avenue | B Major | 1 | 1B | 97 BPM | ||
Symphony in G Major, Op. 3 No. 1, WolS G2: II. Andante non adagio | Johann Stamitz, Musica Viva, Alexander Rudin | F♯ Major | 0 | 2B | 125 BPM | ||
Sonate, Symphonie, Canzoni, Passe'mezzi, Baletti, Corenti, Gagliarde e Ritornelli, Op. 8: Sonata quarta, per il violino, per sonar con due corde | Biagio Marini, Georg Kallweit, Björn Colell | A♭ Minor | 1 | 1A | 138 BPM | ||
Pièces de viole, Livre 3 - Suite No. 7 in G Major: No. 92. Prélude. Lentement | Marin Marais, Mieneke van der Velden, Glen Wilson | E♭ Minor | 0 | 2A | 120 BPM | ||
Violin Sonata in E Minor, Op.5 No. 8: II. Allemanda (Allegro) | Arcangelo Corelli, Enrico Onofri | F Major | 1 | 7B | 128 BPM | ||
Sinfonia to Il Giardino di Amore: II. Largo e piano | Alessandro Scarlatti, Reinhold Friedrich, Budapest Strings, Karoly Botvay | B Minor | 0 | 10A | 80 BPM | ||
Concerto Grosso in C Minor, Op. 2, No. 2: III. Adagio | Francesco Geminiani, Capella Istropolitana, Jaroslav Krcek | C Minor | 1 | 5A | 57 BPM | ||
Balletto N. 2 En Sol Mayor - I. Preludio (Giacomo Facco) | Grupo de musica barroca La Folia/Pedro Bonet | F♯ Major | 0 | 2B | 116 BPM |
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