On May 20, 1963, the song "Façade: 18. Scotch Rhapsody" was released by William Walton, Eugene Ormandy. With Façade: 18. Scotch Rhapsody being less than two minutes long, at 1:17, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. This song is part of Walton: Façade - Ibert: Divertissment & Escales by Eugene Ormandy, Philadelphia Orchestra. The song's track number on the album is #14 out of 25 tracks. Based on our data, United States was the country where this track was produced or recorded. In terms of popularity, Façade: 18. Scotch Rhapsody is currently unknown. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
Since Façade: 18. Scotch Rhapsody by William Walton, Eugene Ormandy has a tempo of 98 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Façade: 18. Scotch Rhapsody being at 98 BPM, the half-time would be 49 BPM with a double-time of 196 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
The music key of this track is B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Henry V (adapted by Christopher Palmer): VII. Interlude: At the French Court | William Walton, Michael Sheen, Anton Lesser, RTE Concert Orchestra, Andrew Penny | A Major | 0 | 11B | 114 BPM | ||
Siciliana (from "The Tree of Life", Arr. for Piano from Antiche Danze, Suite No. 3 by Ottorino Respighi) | Ottorino Respighi, Olga Scheps | E♭ Major | 0 | 5B | 69 BPM | ||
Belshazzar's Feast: Then sing aloud to God | William Walton, Christopher Purves, Huddersfield Choral Society, Leeds Philharmonic Chorus, Laudibus, English Northern Philharmonia, Simon Lindley, Paul Daniel | F Major | 3 | 7B | 48 BPM | ||
Delius: 2 Aquarelles: No. 1, Slow (Arr. Fenby for String Orchestra) | Frederick Delius, Sir Neville Marriner, Academy of St. Martin in the Fields | B♭ Major | 4 | 6B | 113 BPM | ||
Lohengrin: Prelude | Richard Wagner, Slovak Philharmonic, Michael Halasz | A Major | 0 | 11B | 75 BPM | ||
Orfeo ed Euridice, Wq. 30 / Act 2: Dance of the Blessed Spirits (Melody in B minor) | Christoph Willibald Gluck, Lynn Harrell, Concertgebouw Chamber Orchestra | B Minor | 1 | 10A | 68 BPM | ||
Grieg: The Last Spring, Op. 34, No. 2 | Edvard Grieg, San Francisco Symphony, Michael Tilson Thomas | G Major | 0 | 9B | 89 BPM | ||
Henry V - Suite (arr. Mathieson) (1994 Digital Remaster): 3. Charge and Battle | William Walton, Philharmonia Orchestra | B♭ Major | 3 | 6B | 64 BPM | ||
Suite for Viola & Small Orchestra: II. Carol | Ralph Vaughan Williams, Helen Callus, New Zealand Symphony Orchestra, Marc Decio Taddei | C Minor | 0 | 5A | 85 BPM | ||
Couperin: Les Baricades mistérieuses | François Couperin, Aurora Orchestra, Nicholas Collon | B♭ Major | 0 | 6B | 65 BPM |
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