"Henry V (adapted by Christopher Palmer): VII. Interlude: At the French Court" by William Walton, Michael Sheen, Anton Lesser, RTE Concert Orchestra, Andrew Penny was released on April 27, 1998. With this song being about 5 minutes long, at 5:16, "Henry V (adapted by Christopher Palmer): VII. Interlude: At the French Court" by William Walton, Michael Sheen, Anton Lesser, RTE Concert Orchestra, Andrew Penny is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. This song is part of Walton: Henry V by William Walton, Andrew Penny. The song's track number on the album is #8 out of 9 tracks. In terms of popularity, Henry V (adapted by Christopher Palmer): VII. Interlude: At the French Court is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
Since Henry V (adapted by Christopher Palmer): VII. Interlude: At the French Court by William Walton, Michael Sheen, Anton Lesser, RTE Concert Orchestra, Andrew Penny has a tempo of 114 beats per a minute, the tempo markings of this song would be Moderato (at a moderate speed). With Henry V (adapted by Christopher Palmer): VII. Interlude: At the French Court being at 114 BPM, the half-time would be 57 BPM with a double-time of 228 BPM.In addition, we consider the tempo speed to be pretty moderate for this song. The time signature for this track is 4/4.
The music key of this track is A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Deux valses pour deux pianos: I. Valse lente (arr. for Solo Piano) | Germaine Tailleferre, Eric Le Sage | F♯ Minor | 1 | 11A | 94 BPM | ||
Kinderszenen, Op. 15: 7. Träumerei | Robert Schumann, Martha Argerich | F Major | 0 | 7B | 130 BPM | ||
Orpheo ed Euridice, Wq. 30, Act II: Dance of the Blessed Spirits | Christoph Willibald Gluck, Eugene Ormandy, Philadelphia Orchestra | D Minor | 1 | 7A | 67 BPM | ||
Prelude: 49th Parallel | Ralph Vaughan Williams, Northern Sinfonia of England/Bradley Creswick/Richard Hickox, Richard Hickox, Northern Sinfonia Of England | G Major | 1 | 9B | 84 BPM | ||
Facade: Four In The Morning | William Walton, The English Opera Group Ensemble, Sir Peter Pears, Anthony Collins, Dame Edith Sitwell | B♭ Minor | 0 | 3A | 67 BPM | ||
Piano Concerto No. 2 in F Major, Op. 102: II. Andante | Dmitri Shostakovich, I Musici de Montréal, Maxim Shostakovich | C Minor | 0 | 5A | 177 BPM | ||
Variations on a Norwegian Folktune, Op. 31: I fjol gjaett'e gjeitinn | Johan Svendsen, Latvian National Symphony Orchestra, Terje Mikkelsen | E Major | 1 | 12B | 87 BPM | ||
Carmen (arr. N. Mercz): Intermezzo from the Opera "Carmen" | Nora Mercz, Georges Bizet, Janos Balint | E♭ Major | 0 | 5B | 72 BPM | ||
Suite No. 3, P. 172: I. Italiana: Andantino | Ottorino Respighi, RTÉ National Symphony Orchestra | B♭ Major | 1 | 6B | 94 BPM | ||
6 Album Leaves, Op. 2, JB 1:51: No. 2 in A Minor, Chanson. Moderato | Bedřich Smetana, Jitka Čechová | A Minor | 0 | 8A | 66 BPM |
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