Carmen Suite after Bizet's Opera: 12.Fortune-Telling - Rodion Shchedrin, Russian National Orchestra, Mikhail Pletnev Information

Acousticness: 36%
Danceability: 19%
Energy: 11%
Instrumentalness: 90%
Liveness: 10%
Loudness: 70%
Speechiness: 4%
Valence: 7%
Popularity: 3%
Loudness: -18.049 dB

Summary

"Carmen Suite after Bizet's Opera: 12.Fortune-Telling" by Rodion Shchedrin, Russian National Orchestra, Mikhail Pletnev was released on January 1, 2001. With this song being about 5 minutes long, at 4:31, "Carmen Suite after Bizet's Opera: 12.Fortune-Telling" by Rodion Shchedrin, Russian National Orchestra, Mikhail Pletnev is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 15 in the song's album "Shchedrin: Carmen Suite; Naughty Limericks; The Chimes". In this album, this song's track order is #12. In terms of popularity, Carmen Suite after Bizet's Opera: 12.Fortune-Telling is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Carmen Suite after Bizet's Opera: 12.Fortune-Telling BPM

With Carmen Suite after Bizet's Opera: 12.Fortune-Telling by Rodion Shchedrin, Russian National Orchestra, Mikhail Pletnev having a BPM of 116 with a half-time of 58 BPM and a double-time of 232 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.

Carmen Suite after Bizet's Opera: 12.Fortune-Telling Key

This song has a musical key of F Minor. Which also means that the camelot key for this song is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Symphonie espagnole, Op. 21: V. Rondo	Édouard Lalo, Itzhak Perlman, André Previn, London Symphony Orchestra	D Major	2	10B	109 BPM
Symphony No. 5 In B Flat, D.485: I. Allegro	Franz Schubert, Wiener Philharmoniker, Karl Böhm	C Major	1	8B	106 BPM
Romeo and Juliet, Op. 64 - Act 1: The Fight	Sergei Prokofiev, Cleveland Orchestra, Lorin Maazel	C Major	4	8B	108 BPM
Symphony No.6 In F, Op.68 -"Pastoral": 4. Gewitter, Sturm (Allegro)	Ludwig van Beethoven, Berliner Philharmoniker, Herbert von Karajan	F Minor	3	4A	86 BPM
Capriccio espagnol, Op. 34: III. Alborada	Nikolai Rimsky-Korsakov, Seattle Symphony Orchestra, Gerard Schwarz	B♭ Major	2	6B	133 BPM
Cinderella, Op. 87: Act I: No. 19. Cinderella's Departure for the Ball	Sergei Prokofiev, Gennady Rozhdestvensky, Moscow RTV Symphony Orchestra	D♭ Major	0	3B	60 BPM
Symphonie fantastique, Op. 14, H 48: V. Songe d'une nuit de sabbat	Hector Berlioz, London Symphony Orchestra, Sir Colin Davis	C Minor	1	5A	60 BPM
Faust, Ballet Music (1869): 6. Variations du miroir (Allegretto)	Charles Gounod, Berliner Philharmoniker, Herbert von Karajan	E Major	1	12B	90 BPM
Carmen Suite No. 2: Danse bohème	Georges Bizet, London Symphony Orchestra, Sir Neville Marriner	C Major	1	8B	132 BPM
Polovetsian Dances from Prince Igor: Moderato alla breve	Alexander Borodin, George Szell, Cleveland Orchestra	A Major	2	11B	108 BPM

ISRC: This song does not have an ISRC.
Label: L-M Records/RCA Records

Section: 0.7240617275238037

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