"Learsongs (Arr. for Soprano, Alto Chorus & Piano Duet): No. 3, The Duck and the Kangaroo" by William Mathias, Edward Lear, Glen Dempsey, Aïda Lahlou, St. John's Voices, Graham Walker was released on January 10, 2020. The duration of Learsongs (Arr. for Soprano, Alto Chorus & Piano Duet): No. 3, The Duck and the Kangaroo is about two minutes long, specifically at 2:31. This song does not appear to have any foul language. Learsongs (Arr. for Soprano, Alto Chorus & Piano Duet): No. 3, The Duck and the Kangaroo's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in William Mathias, St. John's Voices, Graham Walker's "Mathias: Choral Music" album is number 6 out of 18. In terms of popularity, Learsongs (Arr. for Soprano, Alto Chorus & Piano Duet): No. 3, The Duck and the Kangaroo is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Learsongs (Arr. for Soprano, Alto Chorus & Piano Duet): No. 3, The Duck and the Kangaroo by William Mathias, Edward Lear, Glen Dempsey, Aïda Lahlou, St. John's Voices, Graham Walker to be Andante (at a walking pace) because the track has a tempo of 95 BPM, a half-time of 48BPM, and a double-time of 190 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
The music key of this track is C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Mother of God Here I Stand | John Taverner, Nottingham Cathedral Choir, Alex Patterson | F♯ Major | 0 | 2B | 84 BPM | ||
Virga Jesse, WAB 52 | Anton Bruckner, Latvian Radio Choir, Sigvards Kļava | C Major | 1 | 8B | 69 BPM | ||
Communion Service in C Major: Sanctus | John Ireland, Lincoln Cathedral Choir, Charles Harrison, Aric Prentice | F Major | 0 | 7B | 74 BPM | ||
Sacrae symphoniae: Canzon septimi et octavi toni a 12 (arr. E. Crees for brass) | Giovanni Gabrieli, Eric Crees, London Symphony Brass | C Major | 1 | 8B | 92 BPM | ||
Variasjoner over Med Jesus vil eg fara: VI. Var 5 | Knut Nystedt, Anders Eidsten Dahl | E♭ Major | 0 | 5B | 69 BPM | ||
Messe Solennelle, Op. 16 - Gloria | Louis Vierne, Francis Bardot, Louis Vierne, Pierre Pincemaille, Choer d'Enfants de l'Opera National de Paris:Maîtrise des Hauts-de-Seine, Francis Bardot | A Major | 2 | 11B | 107 BPM | ||
The Sweetheart of the Sun | Eric William Barnum, Choral Arts, Robert Bode | D Major | 1 | 10B | 74 BPM | ||
Requiem, Op. 9: II. Kyrie | Maurice Duruflé, Robert Shaw, Atlanta Symphony Orchestra | F Major | 2 | 7B | 70 BPM | ||
O vos omnes | Pablo Casals, Choir of Jesus College, Cambridge, Mark Williams | F Minor | 0 | 4A | 90 BPM | ||
Maurice Duruflé: Ubi caritas | Maurice Duruflé, Schola Cantorum, Tone Bianca Sparre Dahl | E♭ Major | 0 | 5B | 87 BPM |
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