"Rhapsody on a Theme of Paganini, Op. 43: Variation 18" by Sergei Rachmaninoff, Vladimir Ashkenazy, Philharmonia Orchestra, Bernard Haitink had its release date on January 1, 2014. The duration of This song is about 3 minutes long, at 3:15. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 203 in the song's album "Rachmaninov: Complete Works For Piano". In this album, this song's track order is #25. Furthermore, we believe that the track originated from United Kingdom. In terms of popularity, Rhapsody on a Theme of Paganini, Op. 43: Variation 18 is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Rhapsody on a Theme of Paganini, Op. 43: Variation 18 by Sergei Rachmaninoff, Vladimir Ashkenazy, Philharmonia Orchestra, Bernard Haitink having a BPM of 92 with a half-time of 46 BPM and a double-time of 184 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 3/4.
This song has a musical key of D♭ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Lakmé / Act 1: "Sous le dôme épais" (Flower Duet) | Léo Delibes, BBC Concert Orchestra, Barry Wordsworth | B Major | 2 | 1B | 71 BPM | ||
Gianni Schicchi, Aria: O mio babbino caro | Giacomo Puccini, Montserrat Caballé, Josè Collado | A♭ Major | 2 | 4B | 89 BPM | ||
Jazz Suite No. 2: 4. Waltz I | Dmitri Shostakovich, Concertgebouworkest, Riccardo Chailly | B♭ Major | 2 | 6B | 178 BPM | ||
Bruch: Violin Concerto No. 1 in G Minor, Op. 26: II. Adagio (Excerpt) | Max Bruch, Yehudi Menuhin, Philharmonia Orchestra, Walter Susskind | E♭ Major | 1 | 5B | 105 BPM | ||
Nocturne No. 1 in B-Flat Minor, Op. 9 No. 1 | Frédéric Chopin, Vladimir Ashkenazy | F Major | 1 | 7B | 132 BPM | ||
Les Contes d'Hoffmann / Act 4: Entr'acte (Barcarolle) | Jacques Offenbach, BBC Concert Orchestra, Barry Wordsworth | D Major | 1 | 10B | 96 BPM | ||
Libertango | Astor Piazzolla, Fionnuala Hunt, RTE Concert Orchestra | A Minor | 2 | 8A | 88 BPM | ||
Jazz Suite No.2: 2. Lyric Waltz | Dmitri Shostakovich, Concertgebouworkest, Riccardo Chailly | C Minor | 1 | 5A | 84 BPM | ||
Cavalleria rusticana: Intermezzo | Pietro Mascagni, Valery Gergiev, Wiener Philharmoniker | F Major | 1 | 7B | 84 BPM | ||
El amor brujo: Danza ritual del fuego, para ahuyentar los malos espíritus | Manuel de Falla, Orchestre Symphonique de Montréal, Charles Dutoit | G Major | 1 | 9B | 141 BPM |