Die Walkure: Act I Scene 3: Siegmund heiss ich und Siegmund bin ich! (Siegmund)
Richard Wagner, Günther Treptow, Ludwig Weber, Ferdinand Frantz, Hilde Konetzni, Kirsten Flagstad, Elisabeth Höngen, Ilona Steingruber, Walburga Wegener, Karen Marie Crkall, Dagmar Schmedes, Margareta Kenney, Margret Weth-Falke, Sieglinde Wagner, Polly Batic, Orchestra Del Teatro Alla Scala, Milano, Wilhelm Furtwängler
Wilhelm Furtwangler Conducts Richard Wagner's Der Ring des Nibelungen (Milan 1950)
1:24 July 3, 2012
BPM
77
Key
E Major
Camelot
12B

Embed

Share Link

Die Walkure: Act I Scene 3: Siegmund heiss ich und Siegmund bin ich! (Siegmund) - Richard Wagner, Günther Treptow, Ludwig Weber, Ferdinand Frantz, Hilde Konetzni, Kirsten Flagstad, Elisabeth Höngen, Ilona Steingruber, Walburga Wegener, Karen Marie Crkall, Dagmar Schmedes, Margareta Kenney, Margret Weth-Falke, Sieglinde Wagner, Polly Batic, Orchestra Del Teatro Alla Scala, Milano, Wilhelm Furtwängler Information

Acousticness
99%
Danceability
21%
Energy
3%
Instrumentalness
0%
Liveness
12%
Loudness
65%
Speechiness
4%
Valence
14%
Popularity
Loudness
-20.731 dB

Summary

"Die Walkure: Act I Scene 3: Siegmund heiss ich und Siegmund bin ich! (Siegmund)" by Richard Wagner, Günther Treptow, Ludwig Weber, Ferdinand Frantz, Hilde Konetzni, Kirsten Flagstad, Elisabeth Höngen, Ilona Steingruber, Walburga Wegener, Karen Marie Crkall, Dagmar Schmedes, Margareta Kenney, Margret Weth-Falke, Sieglinde Wagner, Polly Batic, Orchestra Del Teatro Alla Scala, Milano, Wilhelm Furtwängler was released on July 3, 2012. With Die Walkure: Act I Scene 3: Siegmund heiss ich und Siegmund bin ich! (Siegmund) being less than two minutes long, at 1:24, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. This song is part of Wilhelm Furtwangler Conducts Richard Wagner's Der Ring des Nibelungen (Milan 1950) by Richard Wagner, Wilhelm Furtwängler. The song's track number on the album is #18 out of 259 tracks. Based on our data, United States was the country where this track was produced or recorded. Die Walkure: Act I Scene 3: Siegmund heiss ich und Siegmund bin ich! (Siegmund) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Die Walkure: Act I Scene 3: Siegmund heiss ich und Siegmund bin ich! (Siegmund) BPM

Since Die Walkure: Act I Scene 3: Siegmund heiss ich und Siegmund bin ich! (Siegmund) by Richard Wagner, Günther Treptow, Ludwig Weber, Ferdinand Frantz, Hilde Konetzni, Kirsten Flagstad, Elisabeth Höngen, Ilona Steingruber, Walburga Wegener, Karen Marie Crkall, Dagmar Schmedes, Margareta Kenney, Margret Weth-Falke, Sieglinde Wagner, Polly Batic, Orchestra Del Teatro Alla Scala, Milano, Wilhelm Furtwängler has a tempo of 77 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Die Walkure: Act I Scene 3: Siegmund heiss ich und Siegmund bin ich! (Siegmund) being at 77 BPM, the half-time would be 38 BPM with a double-time of 154 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.

Die Walkure: Act I Scene 3: Siegmund heiss ich und Siegmund bin ich! (Siegmund) Key

This song has a musical key of E Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
La Damnation de Faust, Op. 24, H. 111, Pt. I, Scène III: Marche hongroise (Hungarian March) by Hector Berlioz, London Symphony Orchestra, Sir Simon RattleLa Damnation de Faust, Op. 24, H. 111, Pt. I, Scène III: Marche hongroise (Hungarian March)Hector Berlioz, London Symphony Orchestra, Sir Simon RattleA Major111B92 BPM
Khovanshchina: Overture (Prelude) by Modest Mussorgsky, Mariinsky Orchestra, Valery GergievKhovanshchina: Overture (Prelude)Modest Mussorgsky, Mariinsky Orchestra, Valery GergievD♭ Major03B90 BPM
L’arlésienne Suite No. 1, Op. 23bis, WD 40: IV. Carillon by Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo GonzálezL’arlésienne Suite No. 1, Op. 23bis, WD 40: IV. CarillonGeorges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo GonzálezE Major012B143 BPM
Pictures at an Exhibition (Orch. Ravel): IV. Bydlo by Modest Mussorgsky, Wiener Philharmoniker, Gustavo DudamelPictures at an Exhibition (Orch. Ravel): IV. BydloModest Mussorgsky, Wiener Philharmoniker, Gustavo DudamelA Major111B90 BPM
None But the Lonely Heart, Op. 6 No. 6 by Pyotr Ilyich Tchaikovsky, Dmitri Hvorostovsky, Oleg BoshniakovichNone But the Lonely Heart, Op. 6 No. 6Pyotr Ilyich Tchaikovsky, Dmitri Hvorostovsky, Oleg BoshniakovichD♭ Major03B93 BPM
La Norma: Ouverture by Vincenzo Bellini, Rundfunkorchester Des Südwestfunks, Klaus Arp3La Norma: OuvertureVincenzo Bellini, Rundfunkorchester Des Südwestfunks, Klaus Arp3A Major111B123 BPM
Sorochinskaya yarmarka (Sorochintsi Fair): Gopak (Hopak) (arr. N. Rimsky-Korsakov for orchestra) by Modest Mussorgsky, Nikolai Rimsky-Korsakov, Ukraine National Symphony Orchestra, Theodore KucharSorochinskaya yarmarka (Sorochintsi Fair): Gopak (Hopak) (arr. N. Rimsky-Korsakov for orchestra)Modest Mussorgsky, Nikolai Rimsky-Korsakov, Ukraine National Symphony Orchestra, Theodore KucharE♭ Major25B66 BPM
Smetana : The Kiss : Act 1 Smetana : The Kiss : Act 1 "Hush little angel, hush-a-bye" [Vendulka's Lullaby]Eva UrbanovaA Major111B57 BPM
Cavalleria rusticana: Preludio by Pietro Mascagni, National Philharmonic Orchestra, Gianandrea GavazzeniCavalleria rusticana: PreludioPietro Mascagni, National Philharmonic Orchestra, Gianandrea GavazzeniF Major27B88 BPM
Romeo and Juliet, Op. 64: Introduction by Sergei Prokofiev, Cleveland Orchestra, Lorin MaazelRomeo and Juliet, Op. 64: IntroductionSergei Prokofiev, Cleveland Orchestra, Lorin MaazelE Major112B112 BPM
ISRC
USA4A1102929
Label
L-M Records/RCA Records

Section: 0.7315356731414795

End: 0.7356517314910889