"Siegfried: Siegfried's Horn Call" by Richard Wagner, Sir Mark Elder, Hallé, Ben Goldscheider was released on May 17, 2019. The duration of Siegfried: Siegfried's Horn Call is about two minutes long, specifically at 2:03. This song does not appear to have any foul language. Siegfried: Siegfried's Horn Call's duration is considered a little bit shorter than the average duration of a typical track. Since Siegfried: Siegfried's Horn Call only contains only one song in the album, we like to consider this song as a single. Furthermore, we believe that the track originated from United Kingdom. In terms of popularity, Siegfried: Siegfried's Horn Call is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Siegfried: Siegfried's Horn Call by Richard Wagner, Sir Mark Elder, Hallé, Ben Goldscheider having a BPM of 91 with a half-time of 46 BPM and a double-time of 182 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of F Minor. Which also means that the camelot key for this song is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Variations On An Original Theme, Op.36 "Enigma": 12. B.G.N. (Andante) | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | B♭ Major | 0 | 6B | 82 BPM | ||
Vier letzte Lieder, TrV 296: 2. September | Richard Strauss, Jessye Norman, Gewandhausorchester, Kurt Masur | D Major | 1 | 10B | 153 BPM | ||
4 Norwegian Dances, Op. 35: No. 2 in A-Major: Allegretto tranquillo e grazioso | Edvard Grieg, Gothenburg Symphony Orchestra, Neeme Järvi | A Major | 0 | 11B | 136 BPM | ||
Symphonie fantastique, Op. 14, H 48: II. Un Bal | Hector Berlioz, London Symphony Orchestra, Sir Colin Davis | A Major | 1 | 11B | 113 BPM | ||
Pelléas et Mélisande, L.88 / Act 3: "Mes longs cheveux descendent" | Claude Debussy, Francois Le Roux, Maria Ewing, Wiener Philharmoniker, Claudio Abbado | A Minor | 1 | 8A | 123 BPM | ||
Symphony No. 1 in D Major: 3. Feierlich und gemessen, ohne zu schleppen - Live | Gustav Mahler, Berliner Philharmoniker, Claudio Abbado | G Minor | 0 | 6A | 56 BPM | ||
Bizet: Carmen, Act 2: "Les tringles des sistres tintaient avec un éclat métallique" (Carmen, Frasquita, Mercédès) | Georges Bizet, Sir Simon Rattle, Berliner Philharmoniker, Christina Landshammer, Magdalena Kozená, Rachel Frenkel | C Major | 2 | 8B | 121 BPM | ||
Requiem: VI. Rex Tremendae | Giuseppe Verdi, Sir Colin Davis, Christine Brewer, Karen Cargill, London Symphony Orchestra, Stuart Neill, John Relyea | C Minor | 1 | 5A | 108 BPM | ||
Die Zauberflöte, K. 620 / Erster Aufzug: "Dies Bildnis ist bezaubernd schön" | Wolfgang Amadeus Mozart, Fritz Wunderlich, Berliner Philharmoniker, Karl Böhm | E♭ Major | 1 | 5B | 94 BPM | ||
The Sorcerer's Apprentice | Philharmonia Orchestra | D♭ Major | 2 | 3B | 130 BPM |
Section: 0.676424503326416
End: 0.6804561614990234